Craig Lambert in Harvard Magazine:
Many call Rudyard Kipling the scribe of the British Empire, but novelist Joseph Conrad (1857-1924) may have best rendered its waning years and foreshadowed its demise. Around the turn of the last century, Conrad’s books portrayed terrorism in Europe, limned the reach of multinational corporations, and foresaw patterns of globalization that became clear only a hundred years later. The contemporary Colombian novelist Juan Gabriel Vásquez has described Conrad’s books “as ‘crystal balls in which he sees the twentieth century,’” says professor of history Maya Jasanoff. “Conrad observed the world around him from distinctive and diverse vantage points because of his own cosmopolitan and well-traveled background,” she continues. “Henry James wrote him a letter that said, ‘No-one has known—for intellectual use—the things you know, and you have, as the artist of the whole matter, an authority that no one has approached.’ James meant not only what Conrad had seen, but the depth of his insights. I would echo that.”
Born in Poland, Conrad spent 20 years of his adulthood as a merchant seaman on French, Belgian, and English ships, steaming to Africa, the Far East, and the Caribbean before settling down as an author in England. His grasp of the tensions and forces tearing apart the Victorian-Edwardian world is a counterweight, says Jasanoff, to the “widely held stereotype of the period as a golden age before everything got wrecked in the trenches of World War I. If you read what people were actually saying then, you get a strong sense of social and economic upheaval. World War I didn’t come out of a vacuum. Conrad’s novels suggest what it was like to be a person living in those times. Fiction can bring alive the subjective experience of the moment, which isn’t rendered by the kinds of documents historians usually look at.” “World War I didn’t come out of a vacuum.…Fiction can bring alive the subjective experience of the moment, which isn’t rendered by the kinds of documents historians usually look at.”
More here.