Katha Pollitt in The Nation (commenters pushback in the comments section):
Right now on the New Inquiry website, for example, you can take a satirical quiz called “Are You Being Sex Trafficked?” Of course, if you are reading the New Inquiry, chances are you’re not being sex trafficked; if you’re a sex worker, chances are you’re a grad student or a writer or maybe an activist—a highly educated woman who has other options and prefers this one. And that is where things get tricky. Because in what other area of labor would leftists look to the elite craftsman to speak for the rank and file? You might as well ask a pastry chef what it’s like to ladle out mashed potatoes in a school cafeteria. In the discourse of sex work, it seems, the subaltern does not get to speak.
Melissa Gira Grant’s Playing the Whore, published by Verso and co-edited by Jacobin, is a good example of this phenomenon. It’s got a lot of Marxist bells and whistles—OK, OK, sex work is work, I get the point!—and is much concerned with the academically fashionable domains of language and representation, the portrayal of sex workers in movies and ads. “Sex workers should not be expected to defend the existence of sex work,” Grant writes, “in order to have the right to do it free from harm”—whether arrest or violence or the stigma of a fixed identity that can never be escaped. School teacher Melissa Petro discovered that when she lost her job after the New York Post got hold of an essay she had written about her time as an escort.
All fair enough, but the real world is more complicated. Grant has a great time beating the dead gray mare of 1980s anti-porn feminism but doesn’t seem to notice any difference between those vanished crusaders against smut—was any cause ever so decisively defeated?—and today’s campaigners against commercial sexual exploitation, who include former sex workers. Supporters of the “Swedish model” of outlawing the purchase but not the sale of sex—arrest johns, not sex workers—are “carceral feminists.” Women who fight sex trafficking are in it to build nonprofit empires, “jobs for the girls,” and are indistinguishable from paternalistic rescuers like Kristof.
Tellingly, Grant says barely a word about the women at the heart of this debate: those who are enslaved and coerced—illegal immigrants, young girls, runaways and throwaways, many of them survivors of sexual trauma, as well as transwomen and others cast out of mainstream society.