From Harvard Magazine:
Morton C. Bradley Jr. ’33, G ’40, had family ties, extending back to great-grandfather Theophilus Wylie, to Indiana University. But the campus community where he spent nearly all of his life was Cambridge, not Bloomington. The Harvard where he was educated had since the 1870s featured pioneering studies in experimental psychology and the physiology of perception (stemming from William James and Hugo Münsterberg) and the fine arts (Charles Eliot Norton), and in ensuing decades the flowering of logic in philosophy (in the persons of Josiah Royce and the towering figures, then still in the other Cambridge, of Alfred North Whitehead and Bertrand Russell). The strands of formalist aesthetics, of the Bauhaus at Harvard, of music and mathematics and still other influences, are teased out in the essay, “Morton Bradley: An American Formalist,” by Lynn Gamwell, who is also responsible for the volume Color and Form: The Geometric Sculptures of Morton C. Bradley Jr. (Indiana University Art Museum/Indiana University Press, $30).