Christopher Hitchens, Consummate Writer, Brilliant Friend

Ian McEwan in The New York Times:

THE place where Christopher Hitchens spent his last few weeks was hardly bookish, but he made it his own. Close to downtown Houston is the Medical Center, a cluster of high-rises like La Défense of Paris, or London’s City, a financial district of a sort, where the common currency is illness. This complex is one of the world’s great concentrations of medical expertise and technology. Its highest building denies the possibility of a benevolent god — a neon sign proclaims from its roof a cancer hospital for children. This “clean-sliced cliff,” as Larkin puts it in his poem about a tower-block hospital, was right across the way from Christopher’s place — which was not quite as high, and adults only. No man was ever as easy to visit in the hospital. He didn’t want flowers and grapes, he wanted conversation, and presence. All silences were useful. He liked to find you still there when he woke from his frequent morphine-induced dozes. He wasn’t interested in being ill. He didn’t want to talk about it.

When I arrived from the airport on my last visit, he saw sticking out of my luggage a small book. He held out his hand for it — Peter Ackroyd’s “London Under,” a subterranean history of the city. Then we began a 10-minute celebration of its author. We had never spoken of him before, and Christopher seemed to have read everything. Only then did we say hello. He wanted the Ackroyd, he said, because it was small and didn’t hurt his wrist to hold. But soon he was making penciled notes in its margins. By that evening he’d finished it. He could have written a review, but he was to turn in a long piece on Chesterton. And so this was how it would go: talk about books and politics, then he dozed while I read or wrote, then more talk, then we both read. The intensive care unit room was crammed with flickering machines and sustaining tubes, but they seemed almost decorative. Books, journalism, the ideas behind both, conquered the sterile space, or warmed it, they raised it to the condition of a good university library. And they protected us from the bleak high-rise view through the plate glass windows, of that world, in Larkin’s lines, whose loves and chances “are beyond the stretch/Of any hand from here!”

More here.