You grew up in a home that was heavily influenced by Ahad Ha’am, the father of cultural Zionism.
My father was a great sympathizer of Ahad Ha’am. Every Friday night we would read Hebrew together, and often the reading was Ahad Ha’am’s essays. He was the founding figure of what came to be called cultural Zionism, meaning that there should be a Zionist revival in Israel, in Palestine, and it should be a cultural center for the Jewish people. He wrote in Hebrew, which was novel, because Hebrew was then the language of prayer and the Bible. He saw Jews as primarily a Diaspora community that needed a cultural center that had a physical presence, but he was very sympathetic to the Palestinians. In fact he wrote some very sharp essays, after a visit to Palestine, criticizing the way the new settlers were treating the indigenous population. He said, “You can’t treat people like that.” Also, on practical grounds, he didn’t want to create enemies. A Jewish cultural center in Palestine was his ideal.
Now I won’t swear to the precise accuracy of this, because these are childhood memories, but I remember reading together with my father an essay that Ahad Ha’am wrote about Moses. The basic idea was there are two Moseses—the first is the historical Moses, if there was such a person, and the other is the image of Moses that was constructed and came down through the ages and occupies an important place in the national mythology.
Ahad Ha’am was an early advocate of the idea that later became famous with [the Marxist political scientist] Ben Anderson, when he wrote his books about how nations are imagined communities. He said there’s an imagined—I don’t think he used the term—but there’s an imagined Jewish community, in which Moses plays a central role, and it really doesn’t matter if there was a historical Moses or not. That’s part of the national myth, which is a sophisticated version of what [author] Shlomo Sand was trying to get at. Sand debunks the historical Moses, but from Ha’am’s point of view, it makes no difference.