a socialist realist Disneyland


After communism came the vile capitalism,” Gabriel, my guide on a communist walking tour of Budapest, said. Vile? “Oh, it’s just an expression” he told me. “But for millions of Hungarians it has not been a good 20 years, most of us don’t feel like celebrating.” Friday, 23rd October marked two decades of Hungarian independence from Soviet rule, and was also the anniversary of the 1956 revolution. And even if Gabriel was reluctant to reminisce (“I just want it to be passed”), the country’s public life is strikingly forward about looking backwards. Hungary’s public arraignment of its 20th-century crimes—a trial put on for tourists, as much as citizens—marks it out from most of Europe. Measured by the number of museums, Spain seems largely in denial that it had a civil war, let alone 36 years of Franco, and Britain’s accounting of its empire is still woefully inadequate. In Hungary, however, the willingness to acknowledge the recent past is nowhere more evident than in Memento Park, a home for dead statues and an epic artistic achievement. Most former Soviet bloc countries demolished their communist relics or let them rot. In 1993, the Hungarian government decided to put their totems to Marx, Engels, Lenin and friends on display on the outskirts of Budapest. They loom noiselessly amid dusty scrubland, disconnected from the people over whom they once held sway. If you’ve ever wondered what a socialist realist Disneyland would be like, this is the quickest way of finding out.

more from Dan Hancox at Prospect Magazine here.