Bill Wyman in Salon:
Bad art is supposed to be harmless, but the 2008 film “Roman Polanski: Wanted and Desired,” about the notorious child-sex case against the fugitive director, has become an absolute menace. For months, lawyers for the filmmaker have been maneuvering to get the Los Angeles courts to dismiss Polanski's 1978 conviction, based on supposed judicial misconduct uncovered in the documentary. On Tuesday, Los Angeles Superior Court Judge Peter Espinoza ruled that if Polanski, who fled on the eve of his sentencing, in March 1978, wanted to challenge his conviction, he could — by coming back and turning himself in.
Espinoza was stating the obvious: Fugitives don't get to dictate the terms of their case. Polanski, who had pleaded guilty to having unlawful sex with a 13-year-old girl, was welcome to return to America, surrender, and then petition the court as he wished. Indeed, the judge even gave Polanski more than he deserved, saying that he might actually have a case. “There was substantial, it seems to me, misconduct during the pendency of this case,” he said, according to the Los Angeles Times. “Other than that, he just needs to submit to the jurisdiction of the court.”
Polanski deserves to have any potential legal folderol investigated, of course. But the fact that Espinoza had to state the obvious is testimony to the ways in which the documentary, and much of the media coverage the director has received in recent months, are bizarrely skewed. The film, which has inexplicably gotten all sorts of praise, whitewashes what Polanski did in blatant and subtle fashion — and recent coverage of the case, in the Los Angeles Times, the New York Times and elsewhere, has in turn accepted the film's contentions at face value.
More here. [Thanks to Cyrus Hall.]
Also see: Reminder: Roman Polanski raped a child –excellent article by Kate Harding
And: Child Rape Apologists Love Roman Polanski –by Gautham Nagesh