Jordan Davis in the Boston Review:
Poets steal. T.S. Eliot concealed this offhand assertion in plain sight 90 years ago in his essay on English playwright Philip Massinger: “Immature poets imitate, mature poets steal.” It had the effect of recalibrating readers’ expectations for originality. All readers. Granted, this was the same effect Emerson achieved in his essay, “Quotation and Originality,” but the recursion supports Eliot’s point. Literary culture alternates between those periods when it refuses to look at anything new, and those when almost nothing like the old is allowed. As for the literary influence of other times and places, the emphasis shifts between defensive isolation and expansive engagement. At the moment, major anthologies of contemporary poetry from Germany, Russia, and Vietnam are appearing in the United States. Though the influence of these poetries on American letters has been muted, or at least restricted to a narrow list of headliners for the last fifty years, that may be about to change.