From The Guardian:
This is an eloquent and interesting book, although you do not quite get what it says on the tin. Karen Armstrong takes the reader through a history of religious practice in many different cultures, arguing that in the good old days and purest forms they all come to much the same thing. They use devices of ritual, mystery, drama, dance and meditation in order to enable us better to cope with the vale of tears in which we find ourselves. Religion is therefore properly a matter of a practice, and may be compared with art or music. These are similarly difficult to create, and even to appreciate. But nobody who has managed either would doubt that something valuable has happened in the process. We come out of the art gallery or concert hall enriched and braced, elevated and tranquil, and may even fancy ourselves better people, though the change may or may not be noticed by those around us.
This is religion as it should be, and, according to Armstrong, as it once was in all the world's best traditions. However, there is a serpent in this paradise, as in others. Or rather, several serpents, but the worst is the folly of intellectualising the practice. This makes it into a matter of belief, argument, and ultimately dogma. It debases religion into a matter of belief in a certain number of propositions, so that if you can recite those sincerely you are an adept, and if you can't you fail. This is Armstrong's principal target. With the scientific triumphs of the 17th century, religion stopped being a practice and started to become a theory – in particular the theory of the divine architect. This is a perversion of anything valuable in religious practice, Armstrong writes, and it is only this perverted view that arouses the scorn of modern “militant” atheists. So Dawkins, Dennett, Hitchens and Harris have chosen a straw man as a target. Real religion is serenely immune to their discovery that it is silly to talk of a divine architect.