Mel Gussow and Ben Brantley in the New York Times:
Harold Pinter, the British playwright whose gifts for finding the ominous in the everyday and the noise within silence made him the most influential and imitated dramatist of his generation, died on Wednesday. He was 78 and lived in London.
The cause was cancer, his wife, Lady Antonia Fraser, said Thursday.
Mr. Pinter learned he had cancer of the esophagus in late 2001. In 2005, when he received the Nobel Prize in Literature, he was unable to attend the awards ceremony at the Swedish Academy in Stockholm but delivered an acceptance speech from a wheelchair in a recorded video.
In more than 30 plays — written between 1957 and 2000 and including masterworks like “The Birthday Party,” “The Caretaker,” “The Homecoming” and “Betrayal” — Mr. Pinter captured the anxiety and ambiguity of life in the second half of the 20th century with terse, hypnotic dialogue filled with gaping pauses and the prospect of imminent violence.
Along with another Nobel winner, Samuel Beckett, his friend and mentor, Mr. Pinter became one of the few modern playwrights whose names instantly evoke a sensibility. The adjective Pinteresque has become part of the cultural vocabulary as a byword for strong and unspecified menace.