jg ballard: still crazy

Leith_02_081

In the week before he left his public school to go up to Cambridge for his medical degree, J G Ballard reports:

My last act … took place in the basement kitchen in North B house, when I skinned and then boiled a rabbit. I was determined to expose the skeleton, wire it together and use it as a combined mascot and table ornament. I filled the entire building with steam and a disagreeably potent stench. The housemaster came down to stop me, but backed off when he saw that I was on an intense mission of my own. Why the rabbit skeleton was so important I can’t remember.

There, compressed, is a quintessential chunk of Ballard. In tone, it is delivered as you might a cheerful reminiscence on the Parkinson show. There’s a dance of humour about it, too: you probably can’t really fill an entire building with steam by boiling a rabbit, and you’d expect the smell to be more or less agreeable, but the mad-scientist hyperbole is tickling.

more from Literary Review here.

Of Secularism, Headscarves, and Gender Justice

Over at the Immanent Frame, Joan Scott discusses these issues against the backdrop of the lifting of the ban on headscarves in Turkey.

In Turkey there is now a great deal of controversy about proposed revisions to the constitution that would include lifting the ban on the wearing of Islamic headscarves in universities. Many commentators have taken this to be an ominous sign of the intention of Prime Minister Recep Tayyip Erdogan and President Abdullah Gul, who represent the Justice and Development Party (AKP), to undermine Turkey’s secular republic in the interests of establishing an Islamist state. In Turkey, as elsewhere in Europe, the headscarf has become a symbol not only of political Islam, but of the oppression of women. When, in 2004, France outlawed the wearing of headscarves in public schools, for example, it was in the name of secularism and gender equality. The two were taken to be synonymous.

History, both in France and Turkey, contradicts the claim that secularism guarantees equal rights for women and men. The French secular state long denied women the right to vote and its civil code enforced male prerogatives over women in families until well into the twentieth century. The Turkish republic (a one-party state until after WWII) was inspired by the French republic (although it gave women the vote in 1934, ten years before France) and it modeled its penal code on Italy’s. Until that code was revised in 2001 (with the support of the AKP), women were defined as men’s property and rape was considered a violation of a male property-holder’s right. Ideas about family honor resting on the control of women’s sexuality are not unique to Islam, nor are they foreign to secularism.

The sharp opposition between the secular and the religious is a distortion of historical reality. 

Harvard Proposal May Revolutionize Academic Publishing

It seems to me that with arXiv, PLOS, (thanks to Sean Carroll for the corrections) and other online systems, it was just a matter of time. In the NYT:

Publish or perish has long been the burden  of  every aspiring university professor. But the question the Harvard faculty will decide on Tuesday is whether to publish  —  on the Web, at least  —   free.

Faculty members are scheduled to vote on a measure that would permit Harvard to distribute their scholarship online, instead of signing exclusive agreements with scholarly journals that often have tiny readerships and high subscription costs.

Although the outcome of Tuesday’s vote would apply only to Harvard’s arts and sciences faculty, the impact, given the university’s prestige, could be significant for the open-access movement, which seeks to make scientific and scholarly research available to as many people as possible at no cost.

“In place of a closed, privileged and costly system, it will help open up the world of learning to everyone who wants to learn,” said Robert Darnton, director of the university library. “It will be a first step toward freeing scholarship from the stranglehold of commercial publishers by making it freely available on our own university repository.”

{H/t: Maeve Adams]

      

Rotten English

Over at Politics and Culture, Amitava Kumar and Micahel Ryan edit a special issue on Rotten English.  Here’s an excerpt from Dohra Ahmad’s book Rotten English, in the issue:

One day as I was compiling material for this anthology, I sat in a train station in Jamaica, Queens reading Paul Keens-Douglas’s poem “Wukhand” when an older man sitting next to me began to chuckle.  “That’s just how we talk back home,” he said, pointing at the page.  “I never saw it written down before.”  This collection consists of two and a half centuries of writing that had never been written down before, of authors codifying previously untranscribed speech patterns. Keens-Douglas’s poem opens boldly in the voice of a Trinidadian day-laborer addressing a potential employer with the plea “Sah, gimme a wuk nah.  Ah lookin ole but ah strong.”  Other selections capture the speech of convicts and child-soldiers, bluesmen and housemaids from Mississippi to Scotland to India.  But more than that, Rotten English consists of literary works of extraordinary originality, power and beauty.  The poem that amused my train-platform neighbor employs a spectacular range of literary techniques, weaving among direct address, personification, Biblical reference, and a good deal of humor.  Like Keens-Douglas, all of the other authors contained here forge vernacular language into poems, short stories and novels that captivate readers with their artistry.

What would once have been pejoratively termed “dialect literature” has recently and decisively come into its own.  Half of the novels that won the Man Booker prize over the past twelve years are in a non-standard English: the British Commonwealth’s most prestigious award honors passages like “It ain’t like your regular sort of day” (the opening line of Graham Swift’s Last Orders) and “What kind of fucken life is this?” (the persistent refrain of DBC Pierre’s Vernon God Little).  The reading public has been just as approving, eagerly devouring works like Alice Walker’s The Color Purple and Junot Díaz’s Drown.  Many vernacular novels, Walker’s own as well as Roddy Doyle’s The Commitments, Irvine Welsh’s Trainspotting and Alan Duff’s Once Were Warriors, have become acclaimed movies.  This success is by no means limited to fiction; vernacular poetry has flourished in venues like the Nuyorican Poets Café and HBO’s Def Poetry Jam.  The aim of this collection is to represent that literary florescence, along with the earlier works that anticipated and enabled it.  Rotten English celebrates the stunningly unanticipated ways in which English has changed as it grew into a global language.

Defending Rowan Williams

Over at Crooked Timber, Harry Brighouse’s defense (sort of) of Rowan Williams, the Archbishop of Canterbury:

Rowan Williams doesn’t need me to defend him, having, presumably, better placed and more powerful friends (one in partiuclar). But here goes anyway. One of my several Anglophile (and this one a rare Episcopalian) in-laws just sent me (approvingly) this piece from the Sunday Times, and added the following, rather lovely if a little unlikely, quote, recommending a different version of multiculturalism from that which he takes the Archbishop to be committed (which, I gather from googling, comes from Mark Steyn):

In a more culturally confident age, the British in India were faced with the practice of “suttee”—the tradition of burning widows on the funeral pyres of their husbands. General Sir Charles Napier was impeccably multicultural:

‘’You say that it is your custom to burn widows. Very well. We also have a custom: When men burn a woman alive, we tie a rope around their necks and we hang them. Build your funeral pyre; beside it, my carpenters will build a gallows. You may follow your custom. And then we will follow ours.”

Let us take the Archbishop’s supposed treason first. The Archbishop’s actual speech, has been available for days. And the World at One transcript is here. So it is surprising that journalists like Ms. Marrin have been able to get away with what seem like wilful mireadings and mishearings.

More on Neurotic Hillary Hating

Stanley Fish over at his NYT blog Think Again:

The responses to my column on Hillary Clinton-hating have been both voluminous (the largest number in the brief history of “Think Again”) and fascinating. The majority of posters agreed with the characterization of the attacks on Senator Clinton as vicious and irrational, but in not a few posts the repudiation of Hillary-hatred is followed by more of the same. Lisa (No. 17) nicely exemplifies the pattern. She begins by saying “I agree that there is a rabid nature in the manner in which numerous conservative groups attack Hillary Clinton,”, but in the very next sentence she declares that “most of Hillary’s reputation is well earned” and then she spends nine paragraphs being rabid. A significant minority of posters skipped the ritual disavowal of hatred and went straight to the task of adding to it.

These Clintonphobes said things like “there’s nothing to like about her”(394) and wrote at length about her clothing, her voice, her laugh, her arrogance, her “countless plastic surgeries” (an inference it would seem from the fact that at 60 she still looks good), her insincerity, her stridency, her ambition, her love of power, and her husband. In their view, the hatred they expressed was not irrational at all, but was provoked by record of crimes and character flaws they are happy to rehearse. Their mirror image on the left objected to my saying that President Bush fills the same role for liberals that Clinton fills for her detractors. No, no came the protest.

You Remind Me of Me

From The New York Times:

Mimic Artful persuasion depends on eye contact, but not just any kind. If one person prefers brief glances and the other is busy staring deeply, then it may not matter how good the jokes are or how much they both loved “Juno.” Rhythm counts. Voice cadence does, too. People who speak in loud, animated bursts tend to feed off others who do the same, just as those who are lower key tend to relax in a cool stream of measured tones. “Myself, I’m very conscious of people’s body position,” said Ray Allieri of Wellesley, Mass., a former telecommunications executive with 20 years in marketing and sales. “If they’re leaning back in their chair, I do that, and if they’re forward on their elbows, I tend to move forward,”

Psychologists have been studying the art of persuasion for nearly a century, analyzing activities like political propaganda, television campaigns and door-to-door sales. Many factors influence people’s susceptibility to an appeal, studies suggest, including their perception of how exclusive an opportunity is and whether their neighbors are buying it. Most people are also strongly sensitive to rapport, to charm, to the social music in the person making the pitch. In recent years, researchers have begun to decode the unspoken, subtle elements that come into play when people click. They have found that immediate social bonding between strangers is highly dependent on mimicry, a synchronized and usually unconscious give and take of words and gestures that creates a current of good will between two people.

More here.

TUESDAY POEM


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Painting_triangle_fire

………………………………………………………….
………………………………………………………….
The Shirt

Robert Pinsky

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes–

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers–

Like Hart Crane’s Bedlamite, “shrill shirt ballooning.”
Wonderful how the pattern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.

The Triangle Fire
More

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James Langston Hughes

Rest at pale evening…
A tall slim tree…
Night coming tendrerly
Black like me.

(from Dream Variations, 1926)

Hughes1 James Langston Hughes was born in Joplin, Missouri. His mother was a school teacher, she also wrote poetry. His father, James Nathaniel Hughes, was a storekeeper. He had wanted to become a lawyer, but he had been denied to take the bar exam. Hughes’s parents separated and his mother moved from city to city in search of work. In his rootless childhood, Hughes lived in Mexico, Topeka, Kansas, Colorado, Indiana and Buffalo. Part of his childhood Hughes lived with his grandmother. At the age of 13 he moved back with his mother and her second husband. Later the family moved to Cleveland, Ohio, where Hughes’s stepfather worked in the steel mills. During this period Hughes found the poems of Carl Sandburg, whose unrhymed free verse influenced him deeply. After graduating from a high school in Cleveland, Hughes spent a year in Mexico with his light-skinned father, who had found there a release as a successful cattle rancher from racism of the North. On the train, when he returned to the north, Hughes wrote one of his most famous poems, ‘The Negro Speaks of Rivers’. It appeared in the African-American journal Crisis (1921). As an adolescent in Cleveland he participated in the activity of Karamu Players, and published in 1921 his first play, THE GOLDEN PIECE in 1921.

Supported by his father, Hughes entered in the early 1920s the Columbia University, New York. For the permanent disappointment of his father, Hughes soon abandoned his studies, and participated in more entertaining jazz and blues activities in nearby Harlem. Disgusted with life at the university and to see the world, he enlisted as a steward on a freighter bound to West Africa. He traveled to Paris, worked as a doorman and a bouncer of a night club, and continued to Italy.

Langston_hughes After his return to the United States, Hughes worked in menial jobs and wrote poems, which earned him scholarship to Lincoln University in Pennsylvania. According an anecdote, Hughes was “discovered” by the poet Vachel Lindsay in Washington. Lindsay was dining at the Wardman Park Hotel, where Hughes worked as a busboy, and dropped his poems beside the Lindsay’s dinner plate. Lindsay included several of them in his poetry reading. It prompted interviews of the “busboy poet”. Hughes quit his job and moved to New York City.

In 1929 Hughes received his bachelor’s degree. Hughes emphasized the importance of African culture and shared Du Bois’s belief that renewal could only come from an understanding of African roots.

“My old man died in a fine big house.
My ma died in a shack.
I wonder where I’m gonna die,
Being neither white nor black?”

(from ‘Cross’)

In several of his poems, Hughes had expressed with ardent voice sociopolitical protests. He portrayed people, whose lives were impacted by racism and sexual conflicts, he wrote about southern violence, Harlem street life, poverty, prejudice, hunger, hopelessness. But basically he was a conscientious artist, kept his middle-of-the road stance and worked hard to chronicle the black American experience, contrasting the beauty of the soul with the oppressive circumstance.

Wear it
Like a banner
For the proud –
Not like a shroud.

(from Color, 1943)

In his later years Hughes held posts at the Universities of Chicago and Atlanta. The poet also witnessed that doctoral dissertations already begun to be written about him – the earliest book on his work appeared already in the 1930s. Hughes never married and there has been unrelevant speculations about his sexuality. Several of his friends were homosexual, among them Carl Van Vechten, who wrote the controversial novel Nigger Heaven (1926) – Hughes had recommended the choice of the title – but several were not. Hughes died in Polyclinic Hospital in New York, on May 22, 1967, of complications after surgery. His collection of political poems, THE PANTHER AND THE LASH (1967), reflected the anger and militancy of the 1960s. The book had been rejected first by Knopf in 1964 as too risky. Hughes’s own history of NAACP appeared in 1962; he had received a few year’s earlier the NAACP’S Spingarn Medal.

Hughes published more than 35 books, he was a versatile writer, but he hated “long novels, narrative poems”, as he once said. Although the Harlem Renaissance faded away during the Great Depression, its influence is seen in the writings of later authors, such as James Baldwin, who, however, criticized Hughes’s poetic achievement. From the late 1940’s through the 1950’s Hughes revised under pressure his poems- may of them became less tough.

Digging Up Jerusalem’s Past Is Tricky

Matti Friedman in the Chicago Tribune:

Israelpalestine_flagsUnderneath the homes and ragged streets of the Palestinian neighborhood of Silwan lie the remnants of a glorious Jewish past: coins, seals, a water tunnel hewn by a Judean king 2,700 years ago, a road that led to a biblical Temple.

But archaeology is hard-wired into the politics of modern-day Arab-Israeli strife, and new digs to unearth more of this past are cutting to the heart of the charged argument over who owns the holy city today.

Israel says it’s reconnecting with its ancient heritage. Palestinians contend the archaeology is a political weapon to undermine their own links to Jerusalem.

Lying on a densely populated slope outside the walled Old City, the area is known to Israelis as the City of David, named for the legendary monarch who ruled a Jewish kingdom from this spot 3,000 years ago. It is the kernel from which Jerusalem grew.

But Silwan is in east Jerusalem, which Israel captured from Jordan in 1967 and which Palestinians claim for the capital of a future state.

Palestinians and Israelis are trying again to negotiate a peace deal, one which must include an agreement to share Jerusalem. The collision in this neighborhood — between Silwan and the City of David — encapsulates the complexities ahead.

More here.  [Thanks to Ruchira Paul.]

My Hope for Obama

By Jesse Last

Sunday afternoon, I found myself inspired by Hillary Clinton. It was not what she said in her speech – as usual, her mastery of policy impressed me – but rather how she connected with me. She explained that making change in this country is a task that no single person, even the President, can accomplish alone. Instead, she argued, it will demand the hard work of individual citizens. She stated that while she would promote clean energy, she would also ask us to conserve. While she would work to improve our schools, we as parents would need to read to our children and support their study. And while she would push for Universal Healthcare, she would want us to take more responsibility for keeping healthy. I felt respected, challenged and above all involved.

In short, Hillary took Obama’s message of change and emphasized the small, but hugely important, individual contributions we must make in transforming America. This co-opting of his rhetoric is serious business, at least for me as an Obama supporter. When I consider what initially drew me to Obama, it was his proposed *process* of change as well as the change itself. He seemed ready to set aside partisanship in serving the greater good, and he asked that I and all other Americans regardless of race, gender, and political affiliation join one another in doing the same.

Recently, he seems to have turned up the “change” volume but neglected the “individual contribution” sound, and now his message feels slightly out of tune. When I watch him speak on television, I see the crowd cheer with an incredible fervor. And there is nothing inherently wrong with such passion – friends who have heard him speak attest to the enthusiasm he generates. I just wish I did not feel as though I were watching a rally bordering on a revival. We need soaring rhetoric in a world of depressed resignation, but such rhetoric should be filled with content. I want to hear more about his proposals (I know he has them, I’ve checked!) Even more than policy, I want to hear more of his original humility, more of his reaching out to me, asking me to not only support him but to support the incredible work that is confronting global warming, restoring the country’s security and standing in the world, and improving our economy.

I’m pretty young – sadly, I never got to see John F. Kennedy speak. But I have read his quotes and even watched recordings of several of his speeches. And no matter how many times I hear it repeated, Kennedy’s appeal to my better self still gives me shivers:  “And so, my fellow Americans: ask not what your country can do for you—ask what you can do for your country. My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man. Finally, whether you are citizens of America or citizens of the world, ask of us the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that here on earth God’s work must truly be our own.”

I think our country is ready for this message of strength and sacrifice again. During the last eight years, very little has been asked of many of us, while too much has been asked of a few. While our soldiers have died or returned scarred by war, the President has encouraged those at home to continue in self-indulgent spending. And I think we have; I think I have. We have consumed more than we can afford and now find ourselves in debt. We have let the terrorists terrify us and our government take away fundamental freedoms and civil liberties. Above all, we have allowed ourselves to believe that we are helpless – that it is the role of the President to make our most important decisions for us.

Obama has challenged the idea that we as a nation are somehow too weak or too unwilling to think for ourselves and to sacrifice for the larger good. He has showed us the respect borne of high expectations. He has inspired us with his hope and his faith in a better America, and asked that we as citizens work to make it a reality. We have responded. Record numbers have turned out to cast their votes, including many groups traditionally skeptical of the political process. As of the most recent primaries, we continue to do so, and Obama continues to win States.

Now, I am concerned that he is losing the core of his message – the one that Hillary appropriated so well on Sunday. My hope for Obama is that he will return to expressing the principles that gave him his initial momentum. I want to be invited back into our project of renewing America – only not through giving money or cheering madly at rallies. I want to be invited back by his telling me, honestly, what he sees as the central problems in our country today, and what, precisely, he plans to do about them. And I want him to let me know that his vision includes a role for me, one of service as well as privilege, in making it a reality.

Jesse Last grew up in Massachusetts, attended Pomona College in California, and lives and works in Santa Fe, New Mexico. As a Truman Scholar, he is passionate about public service and interested in energy, sustainability and finance.

MONDAY POEM

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“Faith is a window or a mirror, you never know which. But every once in a while they both could use a little Windex” –Clara Lichtner

Dim Bulb on Watch —North Atlantic
Jim Culleny
 
At sea in a cork Image_dim_bulb_north_atlantic_4
on the back of a frothing bull
grey to infinite horizon
smack in the middle of it
stupid in adventure
bullspit flying everywhere
lurching twenty, thirty feet per leap
pitching, yawing, rolling, falling
it never occurred to me
that I might drown

And so, the dim bulb
of the boy I was
lit my way. And what
dim bulb still does?

..

Senator Clinton and the ABCs (Anybody but Clinton)

Michael Blim

As I was entering my Massachusetts polling place on February 5, I encountered a Clinton supporter yelling out to prospective voters about how Senator Clinton was “the real liberal,” and how Mr. Clinton had brought the country eight years of economic growt and well being. I couldn’t hold my tongue. I responded that it was after all Alan Greenspan and Silicon Valley that accounted for the good times; that they were only really enjoyed by some; and that it was Bill Clinton’s good fortune to be in the White House at the time. Senator Clinton’s poll watcher responded chanting over and over again as I walked into the polling place: “You’re wrong. Clinton did it, Clinton did it, Clinton did it…” So much for dialogue, but here in Jamaica Plain, people spit up their politics like they spit up like curdled milk. Even at 6:30 in the morning.

Chalk it up to misguided enthusiasm, wishful thinking, or just ignorance. Take your pick. Senator Clinton cannot be held to account for one over-zealous poll watcher.

But in a way, Senator Clinton and Ex-President Clinton “did do it,” or are doing it.

And to Senator Clinton and her consort, I say: Beware the ABCs — “Anybody But Clinton.” I have never sat out an election in my life, and never voted for anyone but a Democrat for president. Even if my own politics stand considerably to the left of the party, I come from a yellow dog family, and have never strayed in the voting booth. In American politics, there is no other option, and I accept this as an “inconvenient truth.”

Well, God help me, as my Irish grandmother used to say.

“Anybody but Clinton” has crept into my thoughts. It was a shock – a kind of Pauline horse fall – that I experienced last Tuesday at the polling place. In my family, sitting out an election was a sin of omission. Despite all of the doozies that the Democratic Party has passed off on voters from time in memoriam, they still have to thank Franklin Roosevelt, my grandmother and her undying love for “that man” as the local reactionaries used to call him for my life as a, ahem, “block voter.”

It used to be so automatic. “Just pull the big red lever,” the committeeperson would say. Doing poll work and getting voters out for about forty years of election days, I would say the same thing too, and I even served some time as a committeeperson in the black and liberal remnants of the Philadelphia Democratic organization. Palm cards, election courts, running the voter lists around five in the afternoon were as natural to me as watching water run downhill. Not going out to work an election seemed a sin, let alone sitting one out. For all of the insurgents I worked for – and yes for the party hacks who at least voted the right way — there was always a reason. Spring or fall, fellow workers and I were like the postal carriers of politics. I guess the apple didn’t fall far from the machine. Da Mayor and his crowd in Chicago taught me a lot.

So I say to Senator Clinton and her supporters: Beware the ABCs. There have been many elections about passion since World War II. People were passionate – I was passionate – about John Kennedy and Lyndon Johnson until the latter really dug us into the Vietnam War. I was for Gene McCarthy in the worst way, but I felt bad about Hubert’s Humphrey’s 1968 loss. Though a red-baiter historically and a little too friendly with his patron Dwayne Andreas, the Archer Daniels agro-business boss (Wonder why we have ethanol now so conveniently at our disposal? Your tax dollars at work for almost half a century), Humphrey fought for causes in the Senate nobody else would touch. Lyndon Johnson’s by then deadly embrace effectively ended the career of a now-forgotten man. Then when George McGovern’s running mate reported that he truly had lost his head in bouts of depression, George lost his. And as they used to say in my house, for McGovern that was all she wrote.

Reagan and a roll-over Democratic Congress pretty much finished the passionate politics of the Democratic Party, save Teddy Kennedy’s run in 1980 and the good works of fringe candidates like Fred Harris and maybe Mo Udall. Mike Dukakis is a very intelligent and decent human being, but didn’t inspire passion. There were other worthies, but I hope you get the picture. The passion that make movements and effective political majorities has passed from the Democrats to the Republicans.

Senator Clinton and her consort had better watch out. Barack Obama inspires a passion I have not seen abroad in the land since the Teddy Kennedy 1980 run, and that was nothing in size and scope to the feelings that Obama is inspiring. Perhaps Bobby Kennedy’s 1968 campaign came close, but many like me chose McCarthy, or mind over matter. With the assassination, the passion dissipated.

Kennedy’s capacity to inspire passion was palpable. In 1966, Bobby Kennedy stumped for Senator Paul Douglas, perhaps the last truly gifted intellectual Illinois sent to the Senate until it elected Obama. He and Senator Douglas spoke to about 50 people on the lawn of a shopping mall about a mile from my house. Bobby radiated heat. Trying with all my might to resist him, to channel thoughts for instance of his despicable performance as an aide to Senator Joe McCarthy in the fifties, it was impossible. He inspired passion.

So it goes with Obama. Pick your side, but he radiates that heat.

Obama is the “Hail Mary” pass of American politics.

Passion and desperation run together today: everyone except the rich has the sinking feeling or experiences the brutal truth that the United States itself is sinking into a cesspool, using the hiking boots of empire to drag itself out of a 25-year morass of a politics as destructive of American life as any since the age of the Roosevelt rescue.

By the way, talk about heat. Listen to any of FDR’s fireside chats and try not to feel the warmth of voice and feeling that when all else failed, actually talked my grandmother’s generation through the Depression. He was “that man” for a reason.

Obama is the “Hail Mary” pass of American politics because our political system has no game plan, no plays to move the country toward mending its ways and sorting out how to become a decent society of equal opportunity and a good neighbor abroad. Its elite of which the Clinton are proud members has little intention of pulling American ambitions and power back from their world struggle for resources and military dominance. Americans, one senses, are finally tired of fighting for Standard Oil (we call it Exxon now) and fighting daily struggles for affordable medical care and education for their kids. They want a Social Security retirement they can count on, and would I think be interested in stopping the spending of its blood and treasure for imperialism and repression abroad.

Obama brings no guarantee: when did you ever see a “Hail Mary” pass that did? He has joined America’s political elite, no doubt about it. The risks of betrayal are always there. But have you ever been to the South and “East” Sides of Chicago where Obama worked as a community organizer? I have. I worked there too, almost a generation before Obama. That counts for me as at least a forward pass.

Beware, Senator Clinton, of the passions Senator Obama is stirring up. Heart is winning over head – not yours, Senator Clinton, but the hearts winning over the heads of tens of millions placing whatever hopes they can conjure or hold on into Obama’s candidacy. Don’t expect those voters to come home to you if your campaign goes the way of your Massachusetts poll watche — and worse with each triumph. Democrats don’t always reunite for Election Day. Remember Hubert Humphrey. He lost because people stayed home, their passions spent and their hearts unwilling.

I was appalled by the 2000 “Vote for Nader where you can, and Gore where you must.” The narcissism was breathtaking. I recall so many West Side liberal New Yorkers I knew believing they could vote for Nader and leave the rest of the city, black, brown, working class, or whoever was not them, to get Gore New York’s electoral votes. Don’t you wonder where those Florida Nader voters got some of their gumption? From just the arrogance that the politically safe expressed Election Day 2000? And those assurances that Nader would be there for “us” afterwards: that was some whopper.

But as I write, I wonder: Perhaps Gore was the Nader voters’ bridge too far. By my reading, Gore despite efforts on behalf of Big Pharma and his deadly participation in the protection of the patents of multinationals, was surely decent enough to deserve election. His subsequent record speaks for itself. Did he deserve to lose because of Nader Know-nothingism?

Voting or not voting for Gore rested with the head, not with passion. It was a duty. It was pulling the big red lever. You did it out of habit, or out of rational belief. Save billionaire Bloomberg, he who proves what all that money can do to you and do for you, no third party prospects are stalking the horizon. So Democrats may have a decent chance this time.

Millions are leading with their hearts. Passion can be unreason, but it can also trigger the stuff of which major social changes are made. Step on that, Senator Clinton, and bring on the ABCs.

When people are passionate, and feeling that their candidate was ill-used or cheated by a well-oiled, client-driven political machine (The Clintons have been running for the presidency for a quarter century, and with those eight years of patronage from the White House, likely can call up favors in every election precinct in America), reason can take a holiday.

Beware the ABCs. Anybody but Clinton? If you are the candidate in November, Senator Clinton, it could happen to you.

Regrettably, given a desire for a rational world, I could happen sense a case of the ABCs coming on. Even possessing what Max Weber called the ethics of responsibility is not helping this time.

When the air leaves the balloon, it falls. Obama is part of the air in our political balloon. Puncture it, and the energy for reform dissipates, as does the majority to do it.

Ask Hubert Humphrey, who loved not wisely but too well. He was the happy warrior of his time and was defeated by disillusion and withdrawal. His combination of reason and passion didn’t prevail. The passions were too strong, and the disillusion too great.

Mark Twain said that history doesn’t repeat itself, but it rhymes. Against all hope, I have begun to hear the world in couplets.

VALENTINE’S DAY ON 3QD: THE CATCH

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Elatia Harris

Valentine’s Day approaches. Are we a romantic bunch?  Or, what?

Last month, the 3QD Valentine’s Day Challenge was issued. Learning about the Museum of Broken Relationships in Berlin (it really does exist…), I asked readers to write in with an artifact that deserved to go on view there. It need not be a concrete artifact, but could be a memory, an idea, a painting, or a puppy, and anonymized entries were welcome. To say one word more than that would be to seriously take the fun out of what follows.

Our First Anonymized Tale

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During my life I have been blessed to experience several unforgettable relationships, At least five were romantic, two of which were nothing but pure lust. Others were intimate in the Platonic sense. You are wise to allow anonymous stories. Otherwise this little fling could be dangerously combustible. It’s a variation on the “Post Secret” notion.

The only artifact I can recall suitable for your exhibit would be a wire screen on a summer cabin in the North Georgia woods. I had a summer job on staff at the camp less than a year after the most unforgettable crush of my adult life. A tour of duty in the Army had left me emotionally drained and desperately in need of love. Like a hanging ripe fruit I fell totally and wonderfully full force into an unforgettable relationship lasting almost a year. To this day, some four decades later, the memories remain fresh and promising, and I do understand how people in their declining years can rekindle long-lost loves after a lifetime of separation.

But the screen…

I knew the romance was done. Irretrievably and permanently relegated to the shelves of memory. And I could say with truth that it really is better to have loved and lost than never to have loved at all. But the pain of separation remained a little raw. There was healing yet to be done.

One still, hot afternoon I was alone, getting a cabin ready for the next camp.  I sat down alone to take a break in the common area and noticed one of the screens. The angle of light in the afternoon sun caught the image of some writing scrawled on that screen years before.

Young campers discovered that toothpaste could be used to put graffiti on the screens. Since toothpaste would wash off with a water hose, it was harmless enough, so the powers that might otherwise forbid such mischief let it pass. Besides, the place was already covered with other graffiti done in felt-tip markers so more scribbling here and there didn’t matter.

There on that screen I could discern the name of my lost love, left there probably some ten or more years before when she was a little girl off at summer camp. Tears came to my eyes as I remembered our times together and I cried briefly for that lost experience. That shimmering image of a little girl’s name scrawled on a screen was God’s way of letting me know that although no one else would ever know, He understood and would help me recover and get on with the rest of my life.

I submit that screen for your collection.

Poetry Counts Here

Last month, Jim Culleny became the poetry editor of 3QD, and we’ve seen lots more poetry since then. Here’s a poem he wrote for us on today’s theme.

In My Museum of Busted Love
Jim Culleny

Keys

1. Ring

In my museum of busted love
would first be the engagement
ring of inertia

the sign urged upon greenhorns
when the young pulse of biology
meets the  traditional need to rein it in
and set it to the pace of Eros
in civilized society:

the circus maximus of fidelity,
the merry-go-round of oughts
of lust and love
–the diamond ring I one day reclaimed
with an ardent,
whew!

Display that once dazzling rock
beside the big one called Hope
in the museum’s Hall of Almost,
and watch it diminish
in the glare of possibility
to the luminescence
of dull inevitability.

2. Car

And of course there would be my tiny TR3,
a courtship vehicle of desperate love:

its bucket seat of impossible sex,
its inconvenient gear shift,
its shock absorbers announcing
the illicit choreography within,
bouncing its comical, dead serious,
life-altering profundity.

Put it and all its dents upon a dais
at an car show under hot spots
next to a Porsche.

Adorn it with a fender babe
in plenty of flesh and lurid pout
and let it tell its fun-filled
soon sad but torrid tale.

3. Insight

And last
(but way more than least)
at the gallery’s back door
near the broom closet
in a glass case unlit and forlorn,
passed by countless tenderfeet
hip and horny, tattooed, pierced,
bristling with ipods, iphones,
and lost in Myspace ,
seething with tech knowledge
but clueless as  lovers
suffering the old implacable
urge of hormones in love
that doomed unwired Romeo
and foolishly unconscious Juliet
to live and die their misconceptions
in the pages of a play-write

… there upon a simple bronze base,
ignored but brilliant in its banalityLoversmagritte
sits the sweet fruit of my own

I-It
turf fight:

the Bubered wink of battered,
bruised, and tardy

I-Thou
insight

Men with Special Boxes — They Have Them, Too

Quondam 3QD contributor Josh Smith:

I am a sentimental man. By sentimental I don’t mean in the coarse way, like weeping along with fluff films, or incessantly scribbling little notes and drawings in my Moleskine. Rather, I appreciate memories for what they are. So I keep, well, keepsakes. Little tidbits of life. Real, visceral pieces of my material existence. “Proof,” as Duane Michals would call it. And where better the need for proof than my story of love.

This “Museum of Broken Relationships” is quite an interesting project, especially considering that I feel I’ve done it first (albeit only for myself). My own museum rests in the tiny front closet of my tiny studio apartment, itself a tiny little box that sits a little precariously above other boxes. (Recently, old keepsakes were moved to this new box from an older box, which had scrawled on it, in terrible, large-print, felt marker: “MEMORY TYPE STUFF.”) Here rest the remains of my broken relationships, from notes passed in school to movie stubs from first dates.

I struggled hard to imagine which artifact I would relinquish, which one would do the most justice to my story. But then I began to think about the museum itself. I thought about the museum, the one in Berlin and the one in my box. I thought about how all the pieces in the Berlin museum would weave a sort of story about their people, and the place they held and hold in their lives. Here are all these stories, somehow connected, telling us things about ourselves, from the admittedly crazy to the bittersweet.

And I realized that my own museum must remain intact. Whether it sits on a pedestal in Berlin or a shelf in suburban Maryland, it must remain part of a story. Its doors should always remain a little open. It should always sit a little precariously. And should always be open to its own kind of revisionism.

Now I realize that all this sentimentalizing, this whole, heavy chest of lost love, can become some sad weight on a person. Ever since I gave the film Citizen Kane its first true watching, I’ve always worried that my intense desire for love has and would echo that of poor Mr. Kane. Remember what they said about him? “That’s all he ever wanted out of life… was love.” And what did Kane do, when he couldn’t fill his world with love? He tried to fill it with keepsakes. From around the world, he bought and brought to his estate the world’s finest animals and artwork, making it a museum of a lovely world that always just eluded him.

Kane’s museum was a sad one. It was a museum that immortalized a struggle. But sentimental does not mean sad. The kind of museum I aspire to, whether it be in my box of “MEMORY TYPE STUFF,” or the more biological museum between my ears, is one of sentimental wisdom. The memories kept in such places will always be simultaneously glowing and fading away. They must be understood as a story, where one can reorder them and give them new meaning. Then, the “proof” that someone loved you, or that you were simply “naïve back then,” won’t just be some silly cop-out. Instead, you grow. You become reordered. And you always remain just a little precariously placed.

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Sojourns: On Recessions and Intellectual History: The Case of English

News stories sometimes provide strange anecdotes. One that has often been useful for me came from the flurry of coverage after the arrest of Ted Kaczynski, the Unabomber, in 1996. As everyone now knows, this odd duck was for a brief time a math professor at the University of California at Berkeley. One of the many articles recounting this fact (I forget which one, alas) included a sentence that went something like this. “After receiving his Ph.D from Harvard in 1967, Kaczynski took a position in the Math Department at the University of California at Berkeley, one of sixteen assistant professors hired in the department that fall.” The story then went on to describe his loneliness amidst the carnival of freaks on Telegraph Avenue, his descent into misanthropy and despair, and so on. But I could hardly make it that past that sentence, tripped up as I was over the sixteen assistant professors hired by the Math department in one year.

For those of you who don’t know much about these things (and why should you?), nowadays an academic department in a university the size of Berkeley hires on average three assistant professors over a five year period, give or take depending on the vicissitudes of budgets, retirements, and so on. Kaczynski’s hire came at the high water mark of the post-war expansion of the American university system, when the baby boomers were all going to college, the economy was doing well, and cold-war dollars poured into higher education. Things would soon change, irrevocably.

Enter the 1970s. Expansion gave way to constriction, the good times to recession. In English Departments (my little corner of the world), the jobs that had been abundant throughout the 1960s disappeared virtually over night. 1971 was a year like any other. 1972 saw effectively no jobs. If you were in graduate school at the time, your fate was decided by the dumb luck of when you defended your dissertation. Had you applied for jobs a year earlier, you might be an assistant professor at Brandeis. Now that the bottom had fallen out, you were lucky to get by as an adjunct. From what I gather, the same was true of other fields as well. Suddenly those dissertations written in a space of six months took six years to finish. Four-year stints in graduate school stretched to a decade. The culture of graduate school, with its attendant malaise and cynicism, was born into the world.

Here’s a little known fact about recessions and graduate school. When job offers plummet, applications for admission swell. Those same factors that constrict hiring at universities ripple across the entire economy. And what is a bright college graduate to do when faced with few prospects? Why go to graduate school of course! The result is somewhat curious. In the midst of job crisis and despair, the number and quality of those wanting to go to graduate school rises. So here’s how things stacked up in English in the 1970s: fewer PhDs were getting jobs, brighter and more interesting BAs were entering graduate programs. No longer a brief period of apprenticeship, graduate school became a place of intellectual ferment. From this ground sprang post-structuralism, literary theory, and the sense that literary study was really beginning to change.

My point in revisiting this history is not to have anything to say about the intellectual content or value of seventies-era literary theory. Nothing could be more boring at this point in time. Rather, I want to point to the interesting convergence of economic recession and intellectual change, especially since we seem to be heading to a recession just now. My argument is simple: more applicants to graduate school + fewer jobs for PhDs = intellectual change. The advantage of this argument is that it is impersonal and structural and thus does not rely on the charismatic influence of great minds. Were Derrida or DeMan not around, in other words, someone else would have fit the bill. The disadvantage is that the equals sign does a lot of heavy lifting. Oh well.

The second great job crisis hit the academy during the recession of the early nineties. I was around for this one. I entered graduate school in 1989. The NY Times ran a story that same year about how a slew of academic retirements were about to produce a boom in jobs. That never happened. By the early nineties, job-crisis talk was all over the place and had produced a small industry of whining and hand-wringing (often by those folks who lucked out in the 60s). To this recession, we may credit the arrival of cultural-studies and historicism. The former was almost dead on arrival but the latter is still the dominant paradigm of literary study.

We are too close to the culture of nineties-era literary study to have much to say about it in comparison to what’s going on now. Without waxing nostalgic, however, I think we can credit something at least provisionally to the combination of more applications from BAs and fewer jobs for PhDs. What I can say for sure is that the job market in English has on balance gotten better over the past decade while applications to grad school have gone down. What this moment will look like to the eyes of the future is of course anyone’s guess. If my argument is true, however, it would be of equal interest to ask what a coming recession might bring.

Automatic writing

In the Guardian:

The book-writing machine works simply, at least in principle. First, one feeds it a recipe for writing a particular genre of book – a tome about crossword puzzles, say, or a market outlook for products. Then hook the computer up to a big database full of info about crossword puzzles or market information. The computer uses the recipe to select data from the database and write and format it into book form.

Parker estimates that it costs him about 12p to write a book, with, perhaps, not much difference in quality from what a competent wordsmith or an MBA might produce.

Nothing but the title need actually exist until somebody orders a copy. At that point, a computer assembles the book’s content and prints up a single copy.

Among Parker’s bestselling books (as ranked by Amazon.co.uk) one finds surprises.

His fifth-best seller is Webster’s Albanian to English Crossword Puzzles: Level 1.

from rats to orgasms

Gqprintorgasm

“Why is it easier for women to have multiple orgasms than it is for men?” Heiman asks. “How does it interact with attachment issues?”

There are lots of other questions, she says, but oddly, in our supposedly sex-obsessed society, it’s nearly impossible to get funding for sex research.

Another complication: The orgasm question touches on some profound mysteries about how feelings and consciousness can emerge from the brain.

For Barry Komisaruk of Rutgers University, that’s what makes the neurobiology of orgasm so fascinating. A coauthor of the semi-technical 2006 book The Science of Orgasm, he got interested in applying his field of neuroscience to sex while studying rats.

more from The Philadelphia Inquirer here.

ramadi nights

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It must have seemed to the Iraqis that they were being hauled before a nightmare judge. They were accustomed to this, to violent noises, interrogations, searches. But still they were cowed by Hagner, by all of it. And even though he was careful to say Thank you and even sometimes Things are gonna get better to those frightened people, the words seemed empty after what had just been done, and Hagner seemed remote and alien. Inhuman. A few hours later, Hagner would emerge from his armor cocoon, pale and sweat-soaked, a wiry, almost skinny guy from Essex, Maryland, eating candy and falling exhausted onto his bunk. Happily alive, dreaming of boats.

Hagner and his men were doing what other people would later call winning the war. They didn’t know they were winning it. I, embedded with them, didn’t know it. US politicians now describe Ramadi as a model of success. The president points there and grins. Look, it’s working. There’s the proof. If this is true, Ramadi must have changed a great deal since I visited.

more from VQR here.

an effort to show that these seemingly transcendent achievements are exactly human achievements

Burnett3

Your book is about a trial—what’s at stake?

Trying Leviathan centers on a trial that took place in 1818 in Manhattan, where a jury had to determine whether a whale was a fish for the purpose of New York State law. This question had come up under a statute requiring that all fish oil be inspected and taxed. A savvy merchant in New York City, one Samuel Judd, who had three barrels of spermaceti in his possession (spermaceti is a waxy goo found primarily in the heads of sperm whales), turned the inspector away, pointing out that, according to the latest scientific authorities, whales weren’t fish, so he was off the hook for the fees. The dutiful inspector, James Maurice, chortled (“Whales not fish? OK, wiseguy!”) and slapped the cuffs on him. The issues at play in the trial—human taxonomy, oceanic monstrosity, the interpretation of Genesis, atheistical French philosophy, power politics in the early Republic—turned a minor legal fracas into a major sensation. For three days, the papers wrote about little else, and Maurice v. Judd would be the subject of endless jokes, scurrilous poems, double-entendres, angry Op-Eds, and backroom gossip for years to come. Before it was over, the trial had become a pivotal test case not just for whales and fish, but for comparative anatomy, natural history, and finally, really, for science itself in the US.

more from Cabinet here.