Looking Up From the Gutter: Philosophy and Popular Culture

Stephen T. Asma in the Chronicle of Higher Education:

Rodin_thinker_philosophyPhilosophy broods, analyzes, and tends toward the antisocial; pop culture celebrates, wallows, and tends toward the communal. Philosophy is for cynics, and pop culture is for bimbos.

But the recent trend in publishing, dominated by Open Court and Blackwell, has tried to undo those old stereotypes. Perhaps its chief architect, or hardest worker, is William Irwin, an associate professor of philosophy at King’s College, in Wilkes-Barre, Pa. Irwin was the series editor of Open Court’s “Popular Culture and Philosophy” from 2003 to 2007, generating more than 20 titles, including The Sopranos and Philosophy, Harry Potter and Philosophy, and The Beatles and Philosophy. Open Court’s series originated when the press’s editorial director, David Ramsay Steele, decided to follow up on the success of the one-off Seinfeld and Philosophy. The Open Court series is currently being edited by George Reisch, an instructor at Northwestern University’s School of Continuing Studies, and the ever-busy William Irwin has moved on to Blackwell, where he’s put seven new titles on the docket for 2007 alone in the Blackwell Philosophy and Pop Culture Series.

Philosophers, who devote much of their attention to remote texts, are seen by many as irretrievably elitist. But elitism isn’t always bad. Professional sprinters, for example, are an elite group, too, but nobody holds it against them.

If it were only cultural bias that shaped philosophy, then it would seem high time to overthrow the old hegemons Kant, Aristotle, Hegel, and their ilk, and open the doors to Buffy, Bart, and Neo. In fact, an entire branch of cultural studies is devoted to destroying the old hierarchies of high culture over pop culture…

More here.