Alison Lurie looks at four books by or about Alice Munroe, in the New York Review of Books:
In the imagination of most Americans, Canada is a blur. It contains a lot of pine trees, moose, and Mounties; its population is relatively small, its politics relatively polite. Canadians are honest and serious but slightly dull. Some of us may pity or scorn them for not having joined the revolution of 1776: in this view, they are like the goody-goody siblings who never rebelled against their parents.
On the other hand, we also admit Canada’s virtues, including a working national health care system, the acceptance of draft protesters during the Vietnam War, and the possession of many of the most brilliant and original writers in North America. It has sometimes taken us a while to notice these writers, of course. Alice Munro, for instance, had published three brilliant and strikingly original collections of stories and won the Governor General’s Prize before her work first appeared here in The New Yorker. It is only recently that she has been recognized as one of the world’s greatest short story writers.
It is perhaps not only Munro’s Canadian origin that has delayed this recognition. Her stories also avoid the subjects that today most often guarantee popular success in America: money, fame, power, and the exploitation of dramatic news events.