fernando bryce


Since the late 1990s Fernando Bryce has been producing series of A4 and A3 ink drawings on cream paper that revisit historical periods and events by meticulously reproducing the print media that they left in their wake. Revolución (Revolution, 2004), a series of 219 drawings, for instance, is a panoramic visual account of 1960s’ revolutionary politics. In a similar vein Atlas Peru (2001) forms a kind of illustrated mosaic composed of 495 drawings on the history of Peru since the 1930s. These and other works are a combination of a sort of documentary archaeology, cultural critique and visual investigation into chequered histories and history-making. Bryce’s preferred source materials include political pamphlets, posters, flyers, newspaper articles and images, magazines and periodicals, tourist publications and official or business correspondence. Often he favours relatively obscure, ‘minor’ or forgotten records.

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