In Slate, a look at Richard Linklater’s film adaptation of P. K. Dick’s A Scanner Darkly.
Who is Richard Linklater, really? In the last 15 years he’s written and directed great, meandering films about disaffected types who don’t do a whole lot of anything besides kicking back and philosophizing (Slacker, Dazed and Confused, Waking Life), but he’s also made tightly plotted movies about equally disaffected types who band together to combat a repressive social order (The Newton Boys, Fast Food Nation, even The School of Rock, and Bad News Bears). It’s as though the left and right hemispheres of Linklater’s brain have been competing! Which is, of course, precisely the problem faced by narcotics agent Bob Arctor, the protagonist of Philip K. Dick’s brilliant 1977 science-fiction novel A Scanner Darkly.
So, will Linklater’s new, rotoscoped adaptation of A Scanner Darkly, starring Keanu Reeves as Arctor, reveal once and for all which side of Linklater’s brain is the dominant one? That is, will Keanu and his drug buddies, played by Robert Downey Jr., Woody Harrelson, Winona Ryder, and Rory Cochrane (reprising his role in Dazed and Confused), get politicized and take action against their not-too-distant-future surveillance society? Or will these slackers stay glued to their couches, enteg themselves with interminable Linklater-esque bull sessions?
The answer is: both. After all, in what sci-fi fans describe as the “phildickian” worldview, binapposites—good/evil, real/unreal—are impossible ever to untangle.
