Internationally-acclaimed photographer, filmmaker, and video artist Shirin Neshat has been interpreting boundaries in Islam—boundaries between men and women, between sacred and profane, between reality and magic realism—through her work for many years. She came to New York to study art, but the Islamic Revolution in Iran in 1979 made it impossible for Neshat to return for over eleven years. Returning to Iran in 1990 after the death of Ayatollah Khomeini, Neshat found that the Iran of her childhood was smothered under a layer of conservative, fundamentalist Islamic tradition. Feeling that she had something to say, Neshat came back to New York and began working on a series of extraordinary photographs and video installations through which she explored her relationship with Islam and Iran. In particular, she is known for a unique and stirring visual discourse on the place and identity of women in Iran, and on the complex relationship between genders in Islam.