Primer on Shazia Sikander

For those who aren’t familiar with Shazia Sikander’s work and the traditions she comes from, this set of videos (here, here, here and here) and essays from the PBS series “Art in the 21st Century” provides an introduction.

Sikander specializes in Indian and Persian miniature painting, a traditional style that is both highly stylized and disciplined. While becoming an expert in this technique-driven, often impersonal art form, she imbued it with a personal context and history, blending the Eastern focus on precision and methodology with a Western emphasis on creative, subjective expression. In doing so, Sikander transported miniature painting into the realm of contemporary art. Reared as a Muslim, Sikander is also interested in exploring both sides of the Hindu and Muslim “border,” often combining imagery from both—such as the Muslim veil and the Hindu multi-armed goddess—in a single painting. Sikander has written: “Such juxtaposing and mixing of Hindu and Muslim iconography is a parallel to the entanglement of histories of India and Pakistan.” Expanding the miniature to the wall, Sikander also creates murals and installations, using tissue paperlike materials that allow for a more free-flowing style. In what she labeled performances, Sikander experimented with wearing a veil in public, something she never did before moving to the United States. Utilizing performance and various media and formats to investigate issues of border crossing, she seeks to subvert stereotypes of the East and, in particular, the Eastern Pakistani woman.

Fairy Tale Physics: Myths and Legends Explained

From National Geographic:Fairytales

Poor Rapunzel. Not only did she get locked up in a tall tower, but she literally risked her neck by allowing a prince to climb up her hair. Such dilemmas had long bothered Sue Stocklmayer, director of the National Centre for the Public Awareness of Science (CPAS) at the Australian National University in Canberra. Stocklmayer resolved to do something about it, so she and fellow CPAS staff member Mike Gore, a retired professor, channeled their frustrations over fairy tale physics into a traveling science show.

Rapunzel’s conundrum is one of the highlights of the show. “We ask how it is that Rapunzel didn’t lose her skull, given the weight of what she’s [supporting],” Stocklmayer said. “You might notice some of the enlightened [storybook] artists have cottoned on to this and show her wrapping her hair around something, like a bedpost, first. “A small object”—such as a cooped-up princess—”can bear a lot of weight if the connecting device [her hair] is wrapped around something.” The prince is then technically hanging on to the bedpost rather than Rapunzel’s scalp. “So long as Rapunzel wraps her hair first, then the prince and she are Ok,” Stocklmayer said. “So in her case, yes, it could happen.”

More here.

Female Hormone Key to Male Brain

From Scientific American:Hormone

Female hormones circulating in the brain determine masculine behavior, at least in mice. Estrogen–the quintessential female hormone responsible for regulating the reproductive cycle–turns lady mice into wannabe male mice when it is allowed to penetrate the brain during development, according to new research.

Neuroscientist Julie Bakker of the University of Liege in Belgium and her colleagues proved this in the course of solving one of the longstanding riddles of brain development. Although it had long been known that a certain protein–alpha-fetoprotein (AFP)–plays a key role in mouse brain development by binding to estrogen, it was unclear whether AFP facilitates the development of female brains by carrying the hormone or simply by blocking it from entering the brain.

More here.

Joe Louis vs. Max Schmeling, and a World on the Brink

Ian Buruma reviews Beyond Glory by David Margolick, in the New York Review of Books:

Joe_louis_max_schmeling_1936Even after Schmeling was adopted by the new regime after 1933 and turned (with his own cooperation) into a Nazi poster boy, he never lost his glamour for the old Weimar bohemians. One of the fascinating bits of information provided by Margolick’s account of the legendary fights between Schmeling and Joe Louis is the list of people who congratulated him on his first victory against the Brown Bomber in 1936. Even as almost all black people, Jews, white liberals, and also some nonliberals in America were in deep sorrow over Louis’s defeat, even as the Nazi press was crowing over this great racial triumph over the Negro Untermensch, Schmeling received congratulatory telegrams from the Führer himself, naturally, but also from George Grosz, Marlene Dietrich, and Ernst Lubitsch, all of whom were living in the US at the time.

But then Schmeling was a very canny operator. While hobnobbing in Berlin with the Nazi elite—he and his wife, Ondra, were frequent guests at the homes of Joseph and Magda Goebbels —Schmeling made sure he retained his Jewish manager in New York, the indefatigable, cigar-chomping Joe “Yussel” Jacobs. As long as Schmeling won his fights and brought in enough foreign currency for the Fatherland, the Nazis were prepared to overlook this indiscretion.

More here.  [For Alan Koenig.]

Logic is the loser in uncertain situations

Roger Highfield in The Telegraph:

Cartoon_2Investing money, changing jobs, getting married: all big decisions that can mark a leap into the unknown. Now, a new brain-imaging study finds that the higher the level of uncertainty, the more likely it is that emotion and gut insinct, not logic, will rule.

This insight into what goes on in the brain when decisions are made in the face of missing information sheds light on how people save for retirement, how companies price insurance and how countries evaluate risks, ranging from climate change to terrorist attack.

Even ordering a strange-sounding dish at an exotic restaurant will summon the help of the same centre of the brain, one linked with handling emotions, which is different to the centre used when the brain weighs up known risks, such as the probability that a tossed coin will land heads up.

More here.

Mystery of Mozart’s skull nears solution

Luke Harding in The Guardian:

MozartThe century-old mystery as to whether a skull found in an Austrian basement is that of Wolfgang Amadeus Mozart will be solved over the weekend when experts reveal the results of DNA tests.

Researchers said yesterday they would broadcast their findings on Sunday as part of a year of celebratory events marking the composer’s 250th birthday.

The tests were conducted by experts from Innsbruck’s institute for forensic medicine, who exhumed the remains of several of Mozart’s relatives last year from the family vault in Salzburg. They included the composer’s 16-year-old niece Jeanette and his maternal grandmother. DNA comparisons “succeeded in getting a clear result” on the skull, forensic pathologist Walther Parson told Austrian broadcaster ORF. But he refused to say whether the skull was that of the composer or someone else.

More here.

Smith wins Whitbread novel prize

From the BBC:

_41178152_alismith_203Author Ali Smith’s first full-length novel, The Accidental, has won the Whitbread Novel of the Year award.

The Scottish writer beat authors including Salman Rushdie and Nick Hornby to the title.

Tash Aw picked up the first novel award for The Harmony Silk Factory, beating Rachel Zadok amongst others.

All the category winners receive £5,000 and compete for the prestigious Whitbread Book of the Year title, which carries an additional £25,000 prize.

More here.

What is your dangerous idea?

From Edge.org:

Pinker_1This year, the third culture thinkers in the Edge community have written 117 original essays (a document of 72,500 words) in response to the 2006 Edge Question — “What is your dangerous idea?”. Here you will find indications of a new natural philosophy, founded on the realization of the import of complexity, of evolution. Very complex systems — whether organisms, brains, the biosphere, or the universe itself — were not constructed by design; all have evolved. There is a new set of metaphors to describe ourselves, our minds, the universe, and all of the things we know in it.

Welcome to Edge. Welcome to “dangerous ideas”. Happy New Year.

John Brockman
Publisher & Editor

More here.  [Steven Pinker, shown in photo, suggested the question.]

THIS IS NO GAME

Jack Handey in The New Yorker:

This is no game. You might think this is a game, but, trust me, this is no game.

This is not something where rock beats scissors or paper covers rock or rock wraps itself up in paper and gives itself as a present to scissors. This isn’t anything like that. Or where paper types something on itself and sues scissors.

This isn’t something where you yell “Bingo!” and then it turns out you don’t have bingo after all, and what are the rules again? This isn’t that, my friend.

This isn’t something where you roll the dice and move your battleship around a board and land on a hotel and act like your battleship is having sex with the hotel.

This isn’t tiddlywinks, where you flip your tiddly over another player’s tiddly and an old man winks at you because he thought it was a good move. This isn’t that at all.

More here.

Hinduism in California Schools, caught between orientalism and whitewash

In Counterpunch.org, Vijay Prashad looks at multiculturalism, curriculum debates and the Hindu right.

Every six years, the California Board of Education reviews its school textbooks. In 2005, the state reviewed the books that it uses for Sixth Grade. As it turns out, it is at this stage in their education that young Californians encounter ancient Indian history. Certainly, the books are flawed. They represent a tradition of disregard for the rest of the world, and of a Christian disdain for other religions. There are elementary errors (“Hindi is written with the Arabic alphabet”), and there is a simple discourteousness toward Hinduism (“The monkey king Hanuman loved Ram so much that it is said that he is present every time the Ramayan is told. So look around–see any monkeys?”). The critique of Orientalism might seem dated to most academics, but Orientalist stereotypes are rife in the way India is taught in secondary education in the United States.

That said, the important work of revision was quickly hijacked by a couple of traditionalist outfits (the Vedic Foundation and the Hindu Education Foundation) and a legal organization wedded to a right-wing view of Hinduism (Hindu American Foundation). They wanted to revise the books so that “India” would be sufficiently well branded, and that all the contradictions of Indian history would disappear. No mention of the oppression against untouchables (dalits), and little regard for the virulently misogynist ideology of Brahmanism. Because all this makes “India” look bad, it needs to be removed from the book. Here is a whitewash in the service of globalization: if Indian culture can be seen to be modern then business might flow to India. Facts are less relevant, and what are least relevant are the struggles of people to shift traditions and mold them into resources worthwhile of social life. What these outfits want to create is an image of “India” as eternally wonderful, and therefore without need for history and struggle–what is needed is admiration and investment.

The logic deployed by the Hindu American Foundation is not unfamiliar: it is multiculturalism, an ideology well suited to globalized California. Every community is to be seen as discrete, and to have a core cultural ethos that must be respected. Typically the most conservative and traditonalist elements within the “community” are licensed to determine the contours of this ethos. And even more typically, in this globalized age, it is the religious elements of culture that come to determine it. Orthodox clerics of one kind or another, and their civilian minions, become the arbiters of culture and of social life.

a new cosmopolitanism

I include a long quote from this peice by Kwame Anthony Appiah in the New York Times Magazine simply because it is one of those pieces that says just about every damn thing that I would have wanted to say. It is simply excellent. Would that we could all be ‘contaminators’.

Our guide to what is going on here might as well be a former African slave named Publius Terentius Afer, whom we know as Terence. Terence, born in Carthage, was taken to Rome in the early second century B.C., and his plays – witty, elegant works that are, with Plautus’s earlier, less-cultivated works, essentially all we have of Roman comedy – were widely admired among the city’s literary elite. Terence’s own mode of writing – which involved freely incorporating any number of earlier Greek plays into a single Latin one – was known to Roman littérateurs as “contamination.”

It’s an evocative term. When people speak for an ideal of cultural purity, sustaining the authentic culture of the Asante or the American family farm, I find myself drawn to contamination as the name for a counterideal. Terence had a notably firm grasp on the range of human variety: “So many men, so many opinions” was a line of his. And it’s in his comedy “The Self-Tormentor” that you’ll find what may be the golden rule of cosmopolitanism – Homo sum: humani nil a me alienum puto; “I am human: nothing human is alien to me.” The context is illuminating. A busybody farmer named Chremes is told by his neighbor to mind his own affairs; the homo sum credo is Chremes’s breezy rejoinder. It isn’t meant to be an ordinance from on high; it’s just the case for gossip. Then again, gossip – the fascination people have for the small doings of other people – has been a powerful force for conversation among cultures.

The ideal of contamination has few exponents more eloquent than Salman Rushdie, who has insisted that the novel that occasioned his fatwa “celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelisation and fears the absolutism of the Pure. Mélange, hotch-potch, a bit of this and a bit of that is how newness enters the world.” No doubt there can be an easy and spurious utopianism of “mixture,” as there is of “purity” or “authenticity.” And yet the larger human truth is on the side of contamination – that endless process of imitation and revision.

A tenable global ethics has to temper a respect for difference with a respect for the freedom of actual human beings to make their own choices. That’s why cosmopolitans don’t insist that everyone become cosmopolitan. They know they don’t have all the answers. They’re humble enough to think that they might learn from strangers; not too humble to think that strangers can’t learn from them. Few remember what Chremes says after his “I am human” line, but it is equally suggestive: “If you’re right, I’ll do what you do. If you’re wrong, I’ll set you straight.”

more here.

Religion, Kinship and Incest

In The New Left Review, Jack Goody reviews Maurice Godelier’s Métamorphoses de la parenté.

This is a blockbuster of a book. Nothing like it has been written since Lévi-Strauss’s Structures élémentaires de la parenté (1949) or Meyer Fortes’s Kinship and the Social Order (1969). Yet in the sweep of its evidence and argument, Godelier’s summa is more ambitious and far-reaching than either of these. It is at once a major intervention in the discipline of anthropology, and a work of the widest human interest. Kinship has the reputation of being the most technical department of anthropology, the least accessible to a general public. But while Métamorphoses synthesizes a huge range of complex materials, it is written in an unfailingly lucid style that makes no assumptions of professional familiarity with terms and debates about kinship, but always takes care to explain them in language anyone can understand. The book is both a monument of scholarship and a gripping set of reflections on universal experience. It is certain to be read and discussed for years to come.

Godelier introduces his work with a contemporary paradox. Traditional kinship patterns in the West are in dramatic dissolution today, as heterosexual marriage declines, biological and social parenthood become dissociated, homosexual unions are legalized. Yet in the same period, anthropology—where the study of kinship was once the basis of the discipline, ‘comparable to logic in philosophy and the nude in art’—has all but completely turned its back on it, since the rebellions against Lévi-Strauss of Leach (Rethinking Anthropology in 1961) and Needham (Rethinking Kinship and Marriage in 1971), followed by the clean sweep of Schneider (Critique of the Study of Kinship in 1984), to the point where it is scarcely even referred to by postmoderns like Clifford and Marcus. Can it be that anthropology has nothing to say about the upheavals going on around us? Godelier intends to show the opposite.

wood on melville

Melville

In the Goncourt journals, Flaubert is reported as telling the tale of a man taken fishing by an atheist friend. The atheist casts the net and draws up a stone on which is carved: “I do not exist. Signed: God.” And the atheist exclaims: “What did I tell you!” Flaubert, the bitter master of nullification, enjoyed these kinds of jokes: in his world, atheism is as much of a received idea, as much of a platitude, as theism. Melville, writing at the same time as Flaubert, and most fertile in the same decade as the French writer (the 1850s), had no comparable worldly ease. Indeed, he may be seen as less the knowing teller of Flaubert’s joke than its butt. For Melville was trapped in the self-arrest of the atheist believer: his negations merely confirmed God’s tormenting existence.

more from James Wood at TNR here.

laura owens, bats

Owens_overall

Owens has had meteoric success since graduating from CalArts in the mid-nineties, and this spring her solo show at the Museum of Contemporary Art opened in Los Angeles—a mid-career survey that seems all the more impressive for the fact that the artist is only thirty-two years old. One criticism that has been leveled at Owens is that there is too much of a feel-good quality in the work, which would be a problem if her paintings were maudlin or shallow or overly cute, but they are not. . .

THE BELIEVER: I’m curious about your depictions of bats. Are they just fun to put in paintings, or is there some deeper personal interest on your part?

LAURA OWENS: Recently someone accused me of having only the benevolent in my work, and I think the bats were my attempt at a certain point to bring in less benevolent imagery. But bats have a lot of different meanings depending on which culture you’re talking about, meaning they’re not always seen as bad. In China, you’ll see them in embroidery, and they aren’t the menacing-looking type of black bat. I think they signify good luck. But then there’s a Tiepolo painting at the Norton Simon Museum in Pasadena, about the triumph of virtue and nobility over ignorance, and I think ignorance is signified by bats…

moe from The Believer here.

Shirin Neshat

From EGO:

Shirinneshat_main1_2 Internationally-acclaimed photographer, filmmaker, and video artist Shirin Neshat has been interpreting boundaries in Islam—boundaries between men and women, between sacred and profane, between reality and magic realism—through her work for many years. She came to New York to study art, but the Islamic Revolution in Iran in 1979 made Shirinneshat_main2 it impossible for Neshat to return for over eleven years. Returning to Iran in 1990 after the death of Ayatollah Khomeini, Neshat found that the Iran of her childhood was smothered under a layer of conservative, fundamentalist Islamic tradition. Feeling that she had something to say, Neshat came back to New York and began working on a series of extraordinary photographs and video installations through which she explored her relationship with Islam and Iran. In particular, she is known for a unique and stirring visual discourse on the place and identity of women in Iran, and on the complex relationship between genders in Islam.

More here.

The Cute Factor

From The New York Times:Cute

Cuteness is distinct from beauty, researchers say, emphasizing rounded over sculptured, soft over refined, clumsy over quick. Beauty attracts admiration and demands a pedestal; cuteness attracts affection and demands a lap. Beauty is rare and brutal, despoiled by a single pimple. Cuteness is commonplace and generous, content on occasion to cosegregate with homeliness.

Scientists who study the evolution of visual signaling have identified a wide and still expanding assortment of features and behaviors that make something look cute: bright forward-facing eyes set low on a big round face, a pair of big round ears, floppy limbs and a side-to-side, teeter-totter gait, among many others.

Cute cues are those that indicate extreme youth, vulnerability, harmlessness and need, scientists say, and attending to them closely makes good Darwinian sense. As a species whose youngest members are so pathetically helpless they can’t lift their heads to suckle without adult supervision, human beings must be wired to respond quickly and gamely to any and all signs of infantile desire.

The human cuteness detector is set at such a low bar, researchers said, that it sweeps in and deems cute practically anything remotely resembling a human baby or a part thereof, and so ends up including the young of virtually every mammalian species, fuzzy-headed birds like Japanese cranes, woolly bear caterpillars, a bobbing balloon, a big round rock stacked on a smaller rock, a colon, a hyphen and a close parenthesis typed in succession.

More here.

Monday Musing: In the Peace Corps’ Shadow

A couple of weeks ago the travel writer and memoirist Paul Theroux published an opinion piece entitled “The Rock Star’s Burden” in the New York Times. It is an article full of bitterness and bile where, in a display of almost unbelievable hubris, Theroux basically expresses a thinly disguised disappointment that the country of Malawi, where he worked as part of the Peace Corps 40 years ago, has not been able to convert his (and others’) generous donation of time and energy into becoming more like a grateful version of Switzerland:

Theroux_2Those of us who committed ourselves to being Peace Corps teachers in rural Malawi more than 40 years ago are dismayed by what we see on our return visits and by all the news that has been reported recently from that unlucky, drought-stricken country. But we are more appalled by most of the proposed solutions.

I am not speaking of humanitarian aid, disaster relief, AIDS education or affordable drugs. Nor am I speaking of small-scale, closely watched efforts like the Malawi Children’s Village. I am speaking of the ”more money” platform: the notion that what Africa needs is more prestige projects, volunteer labor and debt relief. We should know better by now. I would not send private money to a charity, or foreign aid to a government, unless every dollar was accounted for — and this never happens.

He then takes his misguided judgment of the causes of problems in Malawi and, predictably enough, generalizes it to all of Africa:

Teaching in Africa was one of the best things I ever did. But our example seems to have counted for very little. My Malawian friend’s children are of course working in the United States and Britain. It does not occur to anyone to encourage Africans themselves to volunteer in the same way that foreigners have done for decades. There are plenty of educated and capable young adults in Africa who would make a much greater difference than Peace Corps workers.

The emigration of Africans to the preposterously prosperous countries of the West particularly galls Theroux; after all, didn’t he go there to try and help them? Why can’t they stay and help themselves? Is he really seriously suggesting that if Malawians, with an average income of around 50 cents per day, 900,000 of whom are infected with AIDS, and who have a basic literacy rate of barely 50 percent, were to just stay home and “volunteer in the same way that foreigners have done for decades,” that Malawi’s problems would go away? It doesn’t seem to have occurred to Theroux that while he had the education and the luxury of taking a couple of years off in his youth to indulge his idealistic fantasies (and turn the experience into a lucrative career writing about it–it takes the average Malawian a year to earn the amount of money Theroux probably makes in a day) through a program (the Peace Corps) explicitly designed as a propaganda tool for the American government in the cold war years, most Malawians cannot take a few years off to “volunteer” for the betterment of their country. Of course, those (and there are really very few) who are able to get to the West to make a better life for themselves will do so. And why shouldn’t they? (Mr. Theroux seems not even to have any idea of the difficulties of getting a visa to the West for anyone in the third world.)

Bonoimg782200Bono, through his high-profile campaigns for African debt relief, serves as the main lightning rod for Theroux’s odious and acidic attacks:

There are probably more annoying things than being hectored about African development by a wealthy Irish rock star in a cowboy hat, but I can’t think of one at the moment. If Christmas, season of sob stories, has turned me into Scrooge, I recognize the Dickensian counterpart of Paul Hewson — who calls himself ”Bono” — as Mrs. Jellyby in ”Bleak House.” Harping incessantly on her adopted village of Borrioboola-Gha ”on the left bank of the River Niger,” Mrs. Jellyby tries to save the Africans by financing them in coffee growing and encouraging schemes ”to turn pianoforte legs and establish an export trade,” all the while badgering people for money.

And also:

Bono, in his role as Mrs. Jellyby in a 10-gallon hat, not only believes that he has the solution to Africa’s ills, he is also shouting so loud that other people seem to trust his answers. He traveled in 2002 to Africa with former Treasury Secretary Paul O’Neill, urging debt forgiveness. He recently had lunch at the White House, where he expounded upon the ”more money” platform…

By coincidence, at the time that I read Theroux’s hysterical screed against any money for Africa (keep in mind his saying, “I would not send private money to a charity, or foreign aid to a government, unless every dollar was accounted for — and this never happens”), I had just finished reading The End of Poverty by Jeffrey Sachs, with a foreword by the much-maligned Bono. Sachs is an extremely well-respected economist, and was named one of Time Magazine’s 100 Most Influential People. He is also the director of the Earth Institute at Columbia University. I recommended Sach’s book in 3QD’s year-end round-up of the best books of 2005, and he does such a good job of not only explaining the “poverty trap” that some African (and other extremely poor) countries find themselves in, but also of anticipating and answering the objections of the likes of Theroux, that I will let him do most of the talking now:

Sachs_3When poverty is very extreme, the poor do not have the ability–by themselves–to get out of the mess. Here is why: Consider the kind of poverty caused by a lack of capital per person. Poor rural villages lack trucks, paved roads, power generators, irrigation channels. Human capital is very low, with hungry, disease-ridden, and illiterate villagers struggling for survival. Natural capital is depleted: the trees have been cut down and the soil nutrients exhausted. In these conditions the need is for more capital–physical, human, natural–but that requires more saving. When people are poor, but not utterly destitute, they may be able to save. When they are utterly destitute, they need their entire income, or more, just to survive. There is no margin of income above survival that can be invested for the future.

This is the main reason why the poorest of the poor are most prone to becoming trapped with low or negative economic growth rates. They are too poor to save for the future and thereby accumulate the capital per person that could pull them out of their current misery…

[The saving rate, for example, of upper-middle-income countries was 25% as opposed to 10% for the least-developed countries, according to a 2004 World Bank study.]

In fact, the standard measures of domestic saving, based on the official national accounts, overstate the saving of the poor because these data do not account for the fact that the poor are depleting their natural capital by cutting down trees, exhausting soils of their nutrients, mining their mineral, energy, and metal deposits, and overfishing… When a tree is cut down and sold for fuelwood, and not replanted, the earnings to the logger are counted as income, but instead should be counted as a conversion of one capital asset (the tree) into a financial asset (money). (TEoP, p.57)

There is much more to this, but you will have to read the book yourself to get all the details, which Sachs does an admirable job of laying out for the non-specialist reader. Much of the book is spent in showing that it is possible, using available data, to estimate fairly accurately the amounts of capital infusion needed by a country to escape the poverty trap. It’s better to just let Sachs take it from there:

Africa needs around $30 billion per year in order to escape from poverty. But if we actually gave that aid, where would it go? Right down the drain if the past is any guide. Sad to say, Africa’s education levels are so low that even programs that work elsewhere would fail in Africa. Africa is corrupt and riddled with authoritarianism. It lacks modern values and the institutions of a free market economy needed to achieve success… And here is the bleakest truth: Suppose that our aid saved Africa’s children. What then? There would be a population explosion, and a lot more hungry adults. We would have solved nothing.

If your head was just nodding yes, please read this chapter with special care. The paragraph above repeats conventional rich-world wisdom about Africa, and to a lesser extent, other poor regions. While common, these assertions are incorrect. Yet they have been repeated publicly for so long, or whispered in private, that they have become accepted as truths by the broad public as well as much of the development community, particularly by people who have never worked in Africa.  I use the case of Africa because prejudices against Africa run so high, but the same attitudes were expressed about other parts of the world before those places achieved economic development and cultural prejudices could not hold up. (TEoP, p. 309)

Hmmm, does the first paragraph above remind you of something you’ve read lately? In the rest of the chapter, Sachs answers these and other objections to aid for Africa in careful detail, with section headings such as:

  • Money down the drain
  • Aid programs would fail in Africa
  • Corruption is the culprit
  • A democracy deficit
  • Lack of modern values
  • The need for economic freedom
  • A shortfall of morals

Just to give a flavor of how Sachs’s refutations of these cliched arguments go, let me first quote our self-appointed Africa expert, Mr. Theroux, one last time:

When Malawi’s minister of education was accused of stealing millions of dollars from the education budget in 2000, and the Zambian president was charged with stealing from the treasury, and Nigeria squandered its oil wealth, what happened? The simplifiers of Africa’s problems kept calling for debt relief and more aid. I got a dusty reception lecturing at the Bill and Melinda Gates Foundation when I pointed out the successes of responsible policies in Botswana, compared with the kleptomania of its neighbors. Donors enable embezzlement by turning a blind eye to bad governance, rigged elections and the deeper reasons these countries are failing.

Now here is Sachs again:

In the past, the overwhelming prejudices against Africa have been grounded in overt racism. Today the ever repeated assertion is that corruption–or “poor governance”–is Africa’s venal sin, the deepest source of its current malaise. Both Africans themselves and outsiders level this charge…

The point is that virtually all poor countries have governance and corruption indicators that are below those of the high-income countries. Governance and higher income go hand in hand not only because good governance raises incomes, but also, and perhaps even more important, because higher income leads to improved governance…

Africa’s governance is poor because Africa is poor. Crucially, however, two other things are also true. At any given level of governance (as measured by standard indicators), African countries tend to grow less rapidly than similarly governed countries in other parts of the world… Something else is afoot; as I have argued at length, the slower growth is best explained by geographical and ecological factors. Second, Africa shows absolutely no tendency to be more or less corrupt than other countries at the same income level. (TEoP, p. 311)

As for Africa’s lack of democracy, Sachs notes that:

Africa’s share of free and partly free countries, 66 percent, actually stands above the average for non-African low-income countries in 2003, 57 percent…

Democratization, alas, does not reliably translate into faster economic growth, at least in the short term. The links from democracy to economic performance are relatively weak, even though democracy is surely a boon for human rights and a barrier against large-scale killing, torture, and other abuses by the state. The point is not that Africa will soar economically now that it is democratizing, but rather that the charge of authoritarian rule as a basic obstacle to good governance in Africa is passe. (TEoP, p. 315)

Well, you get the idea. Buy the book and read it. As for Theroux, he should stick to doing what he does best: writing gossipy accounts of much better writers than himself, like, In Sir Vidia’s Shadow, his book trashing his former mentor, V. S. Naipaul. And more power to Bono!

From Sach’s website: How You Can Help End Poverty.

Have a good week!

My other recent Monday Musings:
Richard Dawkins, Relativism and Truth
Reexamining Religion
Posthumously Arrested for Assaulting Myself
Be the New Kinsey
General Relativity, Very Plainly
Regarding Regret
Three Dreams, Three Athletes
Rocket Man
Francis Crick’s Beautiful Mistake
The Man With Qualities
Special Relativity Turns 100
Vladimir Nabokov, Lepidopterist
Stevinus, Galileo, and Thought Experiments
Cake Theory and Sri Lanka’s President

Selected Minor Works: Oh. Canada.

Justin E. H. Smith

One often hears that Montreal is the New York of Canada. It seems to me one may just as well say that Iqaluit is the New York of Nunavut. Both analogies are true enough, insofar as each settlement in question is the undisputed cultural capital of its region. But analogies can often work simply in virtue of the similitude of the relation in each of the pairs, even when the two pairs are vastly different the one from the other. Montreal is the New York of Canada, to be sure. But Canada, well… Canada is the Canada of North America.

This will be the first of two articles in which I lay out a scurrilous and wholly unfounded diatribe against the place I now call home. The second part will consist in a screed against Canada as a whole; today I would like to direct my bile towards Montreal in particular.

Sometime in early 2002, there was an amusing article in the New York Times, chronicling the fates of a few New York families that had fled to re-settle with relatives in Canada for fear of further attacks. Within a few months, they were back. As I recall, one man was quoted as saying something like: I’d rather go up in fireball, I’d rather be vaporized, than live out the rest of my days up there.

New York pride is not only quantitative, yet it is interesting to note that there was more square footage in the World Trade Center than in all the highrises of Montreal combined. Still, in terms of square feet, if not of lives, September 11 scarcely made a dent in Manhattan.  It is of course not everywhere that the greatness of a city is measured by the number of skyscrapers it hosts. If this were the universal measure, Dallas would have London beat by a long-shot. But in Montreal the skyline is constantly pushed, on the ubiquitous postcards and tchotchkes sold along St. Catherine Street, as though this were some great accomplishment of human ingenuity, rather than a paltry imitation, a mere toy model, of the envied city to the south.

Les gratte-ciel are also celebrated shamelessly in Quebecois art and cinema. Take Denys Arcand, the tiresome and repetitive director of The Decline and Fall of the American Empire and its sequel The Barbarian Invasions, as well as of the slightly more compelling 1989 film, Jesus of Montreal. The way he cuts to new scenes with panoramic shots of the city’s skyscrapers at night, alto saxes blaring, you would think you were watching a promotional segment of the in-flight entertainment program on an incoming Air Canada plane. You would almost expect this schmaltzy segue to be followed by scenes of children getting their faces painted at a street fair, of horse carriages in the old town, or of a group of young adults, sweaters tied around their necks, laughing in a restaurant booth as a man in a chef’s hat serves them a flaming dessert. And yet this is not Air Canada filler, but the work of a supposedly serious director, himself only one example of a very common phenomenon in French Canadian movies. Every time I see the Montreal skyline glorified in Quebecois cinema, I think to myself: if Nebraska had a state-subsidized film industry, Omaha too would be portrayed as a metropolis.

But pay attention to the panorama, and you will see that there is simply not much there. Montreal is probably a notch closer to Iqaluit than it is to New York on the scale of the world’s great cities. I place it just behind Timisoara, and just ahead of Irkutsk, Windhoek, and Perth. It is admittedly not just an aluminum shed and a ski-doo or two. But still one gets the sense there that the entire settlement could be easily dismantled and quitted overnight, as one might pack up a polar research station. I’ve lived in Montreal for three years, and still, every time a Canadian commences another soporific paean to the place I think to myself: where is this city you keep mentioning? I must still be lost in the banlieue. I must not have discovered that dense and vital core of the place that would justify all this effusive praise. And so I consult the map repeatedly, and determine to my confusion that I have by now been just about everywhere in the city, indeed that I live in the centre-ville. In New York, in contrast, I always know, in the same way I know I exist, that I am most assuredly, metaphysically there. You cannot be in New York and doubt that you are in New York.

A student of mine recently returned from her first trip to New York and announced that it is ‘not all that different’ from Montreal. She noted that there is virtually the same concentration of hipsters in each place, and that many New York hipsters are listening to Montreal bands such as Les Georges Leningrad. Call it ‘the hipster index’. In Baltimore, Tucson, Cincinnati, and even Edmonton, there are plenty of ruddy youngsters who collect vinyl, make objets d’art with trash they find, do yoga, declare ‘I’m not religious per se, but I consider myself a very spiritual person,’ read Jung and Hesse and Leary and (‘just for fun’) their horoscopes, have spells of veganism, try to build theremins, decorate with Betty Page artifacts, and speak disdainfully of that empty abstraction, ‘Americans’. I’ve been to these places, and seen them with my own eyes. All these places rank very high on the hipster index. I’m afraid, though, that I am reaching a period of my life in which I measure the greatness of a place by other indices. Like beauty, for instance, and the intensity and importance of the things the grown-ups there are up to.

The other city often invoked in order that Montreal might borrow a bit of greatness is, of course, Paris. The city on the Seine, but without the jet-lag, is how the tourism industry packages it. I think this has something to do with the fact that a French of sorts is spoken in the province. But an English (of sorts) is spoken in Alabama, and nobody thinks to invoke London to try to get people to go there. It is odd, when you think about it, to make a claim to greater affinity with the Old World on the mere basis of la francophonie. After all, every major language of the New World –excluding those of the First Nations—is part of the European branch of the Indo-European family, but this doesn’t give Brazil, Panama, or the United States any special foothold in Europe.

I have been to Paris, and stood at intersections waiting to see pick-up trucks pass by with bumperstickers exclaiming the French equivalent of ‘This vehicle protected by Smith & Wesson,’ or ‘U toucha my truck, I breaka u face.’ They don’t have these there. They don’t have strip malls, or ‘new country’, or donuts, or (regrettably) coffee to go, and WWF wrestling has not made much of an impact.

The situation is quite different in Quebec. La belle province is 100% American, in the early-18th-century sense of the term, and Montreal is but an outlying provincial capital. The metropolitan capital to which Montreal is subordinated is New York. What counts as center and what as periphery does not, of course, stay the same forever. A few more decades of incompetent US government and global warming may change the balance between the two cities. For now, anyway, this is just how things are.

A very happy new year from 125th Street in Harlem. I will be returning to my usual, deracinated life up north a few days from now. If they’ll still let me in.

Dispatches: Divisions of Labor III

Strikes have engulfed New York City this winter. While members of the Transit Workers Union have gone back to work, NYU graduate assistants are preparing to resume picketing with the start of term on January 17th (usual disclaimer: me too). The situation is simultaneously encouraging and grim. Administrative threats of three semesters’ loss of work and pay have caused some attrition, but, impressively, have not broken the strike. By comparison, the 1995-6 Yale grade strike ended after threats of a similar variety – perhaps having already had union recognition and a contract has made the NYU graduate assistants more optimistic. Individual departments’ attempts to protect students from the severity of the administration’s punitive measures have mostly fallen short of extending any promises to those who continue picketing on the 17th. The climate, then, has become inhospitable to assistants who, for entirely legitimate reasons (among them, concerns over visa status, financial hardship, and impeded career advancement), no longer find enough certainty with respect to escaping potential reprisals. So far from signifying dissent from the union, however, these losses measure instead the level of vituperation with which the university sees fit to treat its members – the preservation of a ‘collegial’ relation to whom supposedly necessitates the union’s destruction. Here, rather than attempt an ethical adjudication (a perusal of the relevant documents will allow you to do that for yourself), I think it might be useful both to narrow and widen the usual perspective, which sees the university as the relevant object of focus, in order to consider some relevant internal differences as well as some external factors in this conflict. (For the basic dossier, see the Virtual Mind strike archive.)

To begin with, a narrower focus. Much discussion of late has had to do with the alleged concentration of strikers in the humanities and social sciences. Like many assertions in this debate, it usually remains unsubstantiated, circulating instead as a dark hint that the strike is the result of naive idealism. Consequently, NYU President John Sexton often describes graduate assistants in infantilizing terms,  reinforcing the idea that their grievances are an immature form of teenage rebellion. Furthermore, such infantilizing rhetoric carries with it the paternalistic notion that the university administration should be trusted to have its charges’ best interests at heart, even and especially when said charges are misbehaving. The longstanding association of the humanities with countercultural protest, amplified by the academic “culture wars,” in this case serves to delegitimize, and render strictly cultural, complaints of exploitation by graduate students. Strategically, then, this emphasis on the culture of protest over social analysis is a favored tactic of the administration and its supporters: as one anti-union philosophy professor put it on a weblog discussion of the strike, “if graduate students don’t want to be treated like spoiled children, they should stop behaving like spoiled children.” (Of course, the irony of this tautological ad hominem attack is that graduate assistants are attempting to dispute just this characterization of their position.)

Here I might return to the theme of “collegiality.” The picket line, with its chanting, drumming, singing – in short, its performativity – is by its nature often carnivalesque: not only the ordinary collegial etiquette, but the very habitus, or social and bodily disposition, of university life is suspended by it. The result is an unleashing of pent-up energies and frustrations of many kinds, including elements that exceed the basis of the conflict, such as the offensive nature of the university’s communications with graduate assistants. This is why the defense of collegiality has become an important high ground to the administration: harping on it allows the picket line’s symbolic excess to be depicted as a form of reactive immaturity. Paradoxically, immaturity is also seen to be a form of belatedness: Sexton’s euphemistic corporate terminology of an “Enterprise University” and “University Leadership Team” leaves no room such “dated” practices as strikes and protests, and the supposedly expired sixties radicalism from which they are thought to stem. Just as the domain of the humanities is linked to anachronistic countercultural protest, so then is the social practice of picketing. On both counts, we’re both too young and too old, past our sell-by date before we grow up. This argumentative tack, however, allows for the obfuscation of the original conflict. Even so, analyzed as a cultural form, the picket line performs an important function: it inscribes and instantiates the strike both to observers and in the minds and bodies of those striking. As Louis Althusser might have said, it “interpellates” (roughly, allows the self-recognition of) those who take part, and thus functions as a radicalizing action. Insofar as it refuses collegial dialogue and substitutes the implacable presence of the bodies of strikers, picketing only belongs more purely to the category of action.

Whatever the ideological hailing effects of picketing, if humanities students are strongly in support of striking, the true cause is not a nostalgic commitment to counterculture. The sociological facts on the ground, which are cleverly obscured by the strategy of infantilization, provide much more compelling justification. Unfortunately for the University Leadership Team’s propaganda efforts, graduate study these days tends to include discussion of the sociology of graduate education itself, which has become an important sub-field in literature departments. Doctoral students thus know all too well that fewer than half of them receive tenure track jobs within a year of receiving a diploma; that the number of non-tenured teachers continues to grow at a much faster rate than that of tenured faculty across the disciplines; that universities continue to rely on graduate and adjunct labor, while relatively fewer and fewer tenured professors enjoy the privilege of teaching only upper-level and graduate courses; that graduate assistants teach nearly all introductory courses in language and literature; and that collectivization is the rational response to the exploitation of a labor pool. These are not cultural differences between bohemian graduate students and technocratic administrators; they are social realities. And although these realities are not restricted to the language and literature programs – not at all – these departments have been affected very deeply by this macrocosmic shift in the structure of university teaching.

For this reason, which the “U.L.T.” knows as well as we do, a “New Policy” was announced in November by the university’s deans, which stipulates that graduate assistants’s normal teaching load of two stand-alone courses per semester will be reduced to one (this will primarily affect language and literature graduate assistants, as they teach most of the stand-alone courses). On the face of it, an early Christmas present, no doubt unrelated to the strike. In practice, however, it means three things: one, the university is suddenly authorizing itself to hire large numbers of new adjuncts to fill the newly vacated positions, in contradiction to its expressed aim of reducing the amount of contingent (adjunct) labor, without it looking like these are replacements for striking workers. Why, they’re simply being brought in to fill brand-new positions. The fact that these adjunct professors might conveniently be asked to substitute for striking workers is doubtless a coincidental side benefit. Second, it nourishes the university’s paternalist stance: reducing the teaching load strengthens their claim that graduate teaching is nothing more than apprenticeship or training, and that long-term shifts towards graduate and adjunct labor are being magically reversed. They really care! And third, most disturbingly, graduate assistants who choose to take on the heretofore normal load of two courses next semester can “bank” the extra course, and collect a free semester of funding in the fall. That’s right: teachers who strike this spring semester will lose their work and pay for the next three semesters, according to the Provost, whereas those who return to work and teach what until now was the standard two courses will receive a semester of free money. It might be supposed this will not foster a collegial atmosphere amongst teachers. Best of all, for the administration, this policy will primarily affect the language and literature programs, where students have a clear-eyed view of the labor issues involved because of their disciplinary location and thus strongly support the union. One is perversely impressed with shrewdness of this policy, although one is also sure that the law firm NYU employs to eradicate the union is more straightforwardly proud.

Finally, by way of briefly widening the focus beyond the institution of the university, let us consider NYU in a larger context. As this investigative piece in the Nation reveals, the MTA’s leadership has been engaged in a number of lucrative business dealings involving renting office space to its corporate sub-contractors. All this has been financed through public debt, and overseen by the presence on the MTA of the very people who stand to gain the most from such arrangements, but whose interest in public transportation is unclear. At NYU, the body with whom ultimate authority rests is the Board of Trustees (here is some background on its chair and vice-chairs). In an example of determination in the last instance by the economic sphere, to again allude to Louis Althusser, this board is populated by people with very different interests to those of university teachers. Comprised largely of financiers, corporate lawyers, real estate developers, and the leaders of media conglomerates, the board has shown very little interest in the sympathetic appeals of graduate assistants and our claim that the union palpably improved working and learning conditions at NYU. Of course, the commonly held conception of the university as the privileged space outside of the dominance of corporations in American society tends to disable the recognition that, in fact, universities reside within the sphere of economic determination, and are not necessarily any more amenable to arguments based on social justice than any other type of institution. The indifference of the board to the measurable benefits of unionized graduate assistants only reconfirms this. In fact, perhaps one can go so far as to postulate an inverse relation between the progressive prestige of a university and its hostility to a collectivized workforce: as evidence, one can adduce the immensely anti-union positions of the Ivy League schools. An ambitious school such as NYU is no doubt under immense pressure from the administrators of its more established siblings to resist precedent-setting unionization, and along the way absorb all the costs and bad publicity that accrue to union busting. Sadly, NYU seems more than happy to take one for the team it wishes to join, and thus to leave in place this inversion by which institutions who loudly condone progressive agendas in their publicity materials are the same ones who most viciously fight to prevent them from gaining any ground. A consolation: if we win, perhaps they will eventually realize that they have too.

Dispatches:
Divisions of Labor II ( NYU Strike)
Divisions of Labor (NYU Strike)
The Thing Itself (Coffee)
Local Catch (Fishes)
Where I’m Coming From (JFK)
Optimism of the Will (Edward Said)
Vince Vaughan…Eve Sedgwick (Homosocial Comedies)
The Other Sweet Science (Tennis)
Rain in November (Downtown for Democracy)
Disaster! (Movies)
On Ethnic Food and People of Color (Worcestershire Sauce)
Aesthetics of Impermanence (Street Art)