Lee Siegel in Slate:
Ever since the romantic comedy-drama She’s Gotta Have It antagonized black women and black men in 1986, Spike Lee’s films have enjoyed the outrage of various groups. Between Do the Right Thing‘s racial and ethnic provocations, however, and last year’s She Hate Me—a sexual farce that offended lesbians and feminists—the social context for Lee’s films has changed. In Hollywood, the bar for racial provocation has been raised to wearying heights. At the same time, nakedly commercial entertainments—blackbusters?—from Barbershop to Get Rich or Die Tryin’ appeal to a black audience that barely existed 20 years ago. Lee’s recently published autobiography, Spike Lee: That’s My Story and I’m Sticking to It, offered an occasion to talk with the sometimes inflammatory director about movies, money, race, and the gentle art of making enemies.
More here.
