Mehreen Jabbar is a Pakistani woman filmmaker, director, who moved to New York from Karachi. Much of Mehreen’s work has focused on the everyday lives of average Pakistani women and the conflicts they experience from day to day. While other directors have created fine plays which are obvious in their attempts to raise awareness of women’s rights, Mehreen enjoys the challenge of applying subtlety to get her message across. Her tele-film, “Putli Ghar”’ (Puppet House), is an example of such work. It is a story of two young couples living in the same building. The film focuses on the friendship that develops between the two wives; one, a naïve newlywed, and the other, who has been married for a while, more set in her ways, and enjoys making puppets. As the friendship between the two women grows, the bizarre relationship between the puppet maker and her husband is slowly revealed to the naïve friend resulting in adverse effects on her own relationship with her husband. Another tele-film “Farar” (Escape) is about three friends, a widow, a working woman, and a third woman who is a student of classical dance. The play shows the struggle of each woman to sort out her life and find a unique identity for herself.