I expected to be writing about how much I disliked Alison Lapper Pregnant, the 12-ton, marble sculpture that now graces Trafalgar Square’s fourth plinth. I had seen pictures of Marc Quinn’s maquette of the piece and had thought the subject matter – Lapper was born with no arms and shortened legs – too deliberately controversial, too feebly didactic and, as a result, rather banal.
But I should have known better. When it comes to sculpture, never underestimate the move from maquette to finished work. In the case of Alison Lapper Pregnant, something wonderful has happened in the zoom from miniature to massive, and it is not only the sheer scale of the thing (the statue is 3.55 metre tall and manages to feel even bigger) that demands a certain respect. White and dazzling, Quinn’s sculpture has set a grey corner of a grey space unexpectedly ablaze.
more from The Observer here.