IT’S one of those fantasies, I think, that Fitzgerald is a glamorous and romantic figure,” said the author and film historian David Thomson, speaking of the Jazz Age legend F. Scott Fitzgerald. “Not that I think in real life he was, but his life has come down to us that way. And Hollywood therefore feels that he ought to be graspable.” Like an unrequited love, the surprisingly ungraspable dream of translating Fitzgerald’s doomed romanticism to the big screen has gotten under moviedom’s skin yet again.
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