Vitaly Komar’s first solo exhibition, after decades as half of the celebrated duo Komar and Melamid, elegantly proposes a spiritual truce between members of different faiths and beliefs. The holy day for Muslims is Friday, for Jews, Saturday, and for Christians, Sunday. Thus Komar calls for a more culturally inclusive (and temporally expansive) definition of “weekend,” undermining traditions of work that have most people behind desks or on their feet for forty-plus hours per week. In support of his proposition for a three-day weekend, he shows stained glass, paintings, and several montages.
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