Jina Moore in Harvard Magazine:
Like the poems Emily Dickinson stored in her attic, or John Steinbeck’s repeatedly rejected early manuscripts, one of America’s best-known paintings was almost lost. American Gothic, Grant Wood’s ubiquitous vision of Midwestern farmers posing before their home, wedged its way into history by winning third prize in a Chicago art competition, says Steven Biel, senior lecturer and director of studies in history and literature and the author of a new book, American Gothic: The Life of America’s Most Famous Painting. “If it hadn’t won anything,” he adds, “it would’ve gone home to Iowa, where no one but Wood’s friends would’ve seen it.” Instead, the image has become synonymous with America itself.
More here.
