Martin Puchner at Aeon:
Since artificial intelligence went mainstream a few years ago, it has done double duty as a political personality test: tell me what you think about AI, and I’ll tell you who you are. Those worried about climate change focus on energy consumption. Those who denounce late capitalism see it as the ultimate example of corporate monopoly. Those concerned about racism have warned about AI biases. Those studying the effects of colonialism see it as yet another form of exploitation. And those tending toward doom have seen ChatGPT, Claude, Gemini and Grok as the four riders of the apocalypse.
People in the arts and culture have felt particularly threatened by AI because the technology seems to be coming for the things they cherish the most: the creative use of images, words, and ideas. The latter two, words and ideas, have been in the centre of the storm because generative AI is based on language and because ideas are closely associated with the words in which they are expressed. In response, writers have largely opted for resistance, defending the genuine creativity of humans against the machines. My social media feeds have been flooded with AI-slop gleefully produced and circulated by colleagues hoping to prove that AI can’t be creative. Let’s call this the Creative Resistance.
More here.
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