Artist/filmmaker Pat O’Neill’s 1989 Sundance Grand Jury Prize–winning experimental feature Water & Power — a sort-of Chinatown-meets–Koyaanisqatsi-on-nootropics dealie — is rightfully recognized as one of the signal artifacts of late 20th century L.A. culture, not to mention a radical turning point in experimental cinema. Since making that splash, after a quarter-century toiling in the experimental-cinema mines (and the somewhat more lucrative special-effects fields), O’Neill has expanded his reputation into the art world with gallery and museum exhibitions of his sculptures, drawings, prints and projection-based installations. His double-barreled 2002 magnum opus film/interactive CD-ROM, The Decay of Fiction, took his ambivalent relationship with narrative into even more interdimensional realms (by way of Hollywood noir and the Ambassador Hotel), and marked his first artistic engagement with digital media.
more from Doug Harvey at the LA Weekly here.