Rebecca Ruth Gould at JSTOR Daily:
“What if we view street activities not as organic, evolving phenomena but as calculated efforts to challenge and subvert the state rules governing street dynamics?” Pamela Karimi asks in Women, Art, Freedom: Artists and Street Politics in Iran, her study of work that has emerged from the protest movement of the same name that began in 2022. This question guides Karimi as she endeavors to understand artistic production in an age of political repression and upheaval across the region and world. An architect and associate professor of art and architectural history at Cornell University, Karimi brings her considerable expertise to bear on the contemporary struggle for women’s freedom in Iran and its formidable creative legacies, introducing along the way the pioneering artists who are responding to the recent uprising in the country.
Using imagery, interviews, avant-garde magazines, and feminist manifestos to situate Iranian artistic production both within Iran and in the diaspora, Karimi concentrates on work that engages with the “politics of the street” in the broadest sense.
More here.
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