Elly Griffiths in The Guardian:
Monday marks the 200th anniversary of the birth of Wilkie Collins, the Victorian writer known for his mystery novels. His writing became foundational to the way modern crime novels are constructed, and his most famous works – The Woman in White, No Name, Armadale, and The Moonstone – have earned him an international reputation. British crime novelist and Collins fan Elly Griffiths offers a guide for those new to the author’s work.
The entry point
The Moonstone has all the ingredients we have come to expect from a cosy crime novel: a country house, a deadly crime, a brilliant detective. This recipe is now so well known that it’s almost a cliche but, in fact, this is thought to have been the first time these particular ingredients were mixed together. Sergeant Cuff is the first incarnation of the enigmatic sleuth, arriving at the scene after the bungling attempts of local officers, seemingly more interested in his unusual hobbies (in this case, rose-growing) than in the crime. The story is told by several narrators, not all of whom are trustworthy, and the solution, though definitely surprising, makes perfect retrospective sense. TS Eliot described The Moonstone as “the first, the longest and the best of modern English detective novels”, making it the perfect place to start for those new to the writer. It is long but you won’t notice because the story bowls along and you will be captivated by the characters.
More here.