Grant Wythoff at the LARB:
In an afterword to Far from the Light of Heaven, Thompson asks himself if he’s writing space opera — “a conversation my editor, my agent, my cat and I had many times” — and if so, what would the tropes of that subgenre bring to his work. As a practicing psychiatrist who somehow manages another full-time career as a novelist, Thompson has shared in interviews that he’s fascinated by “flawed people in interesting circumstances.” So, when he chooses space as the setting for this story, it seems to be a choice that grants his characters unique affects and experiences that wouldn’t be possible elsewhere: a backdrop, albeit an incredibly detailed and vivid one. But Thompson also acknowledges the problematic roots of spaceflight among Nazi scientists and military weapons programs: “We can’t erase the murderous origins just because we can see the first sunsets from Mars.” And so throughout the work, you can feel the characters engaging with the ethically compromised origins of the space sublime.
more here.