Media Space, Science Museum, London: Until 1 March 2015
National Media Museum, Bradford, UK: 20th March- 21 June 2015
Reiss-Engelhorn-Museen, Mannheim, Germany: 2017
by Sue Hubbard
Photography is quite, literally, a miracle. In this technological age we forget how much, forget what the world was like before we could capture the fleeting, the momentary and lock it with one single click of the shutter into eternal aspic. Before the photograph memories were just that. Memories. To look at old photographs is to have a direct worm hole into the past. They are not the same as paintings. There, in front of us, is often the actual living plant, view or person as they were, maybe, 150 years ago. That is the way the light fell on a particular day, those are the actual clouds or dirt under the fingernails. It is not so much an interpretation but a preservation. Even a re-incarnation, and it often seems magical.
Founded in 1853, the Royal Photographic Society began making acquisitions following Prince Albert's suggestion that the society should collect photographs to record the rapid technical progress in photography. Royal approval soon followed. The 1850s were a moment of unprecedented optimism in Britain as we stood on the edge of a new, modern industrial world. There was a belief in the unlimited possibilities of science and technology, symbolised by a new young Queen on the throne. The RPS was modelled on the Victorian ideal of the learned Society. These existed all around the country to discuss literature, philosophy and the natural sciences and bring about self-improvement. The aim was to promote both the art and the science of photography. Today this unique collection contains over 250,000 photographs and is one of the most important in the world. Drawn by Light: The Royal Photographic Society Collection is the first co-curating enterprise between The Royal Photographic Society, the Science Museum and the National Media museum and the Reiss-Engelhorn-Museen. The title provides a delightful pun – for, of course, photography is pure light. The exhibition not only reflects the development of camera technology but the psychological, philosophical and aesthetic trends of particular eras and includes works not only by the greats such as Julia Margaret Cameron, Paul Strand and Don McCullin but also by many less known photographers.