Jerwood Gallery Hastings, East Sussex, TN34 3DW, until 12th April 2015
by Sue Hubbard
Chantal Joffe made her reputation as a painter with work inspired by pornography and fashion, based on images torn from magazines. She is friends with the fashion designer Stella McCartney, has painted Kate Moss and Lara Stone, collaborated with the fashion photographer, Miles Aldridge, painting his wife the model, Kristen McMenamy, in her Islington studio, while Aldridge filmed the process. She enjoys what clothes do to the body, the excuse they give her to paint zig-zags, polka dots and Matisse-like patterns. Her work, mostly of women, questions how images are constructed and presented, subtly challenging the objectification of the female form, wrenching it back from the traditional ‘male gaze'. Recently she's moved more towards painting friends and family – her daughter Esme, her niece Moll and her partner, the painter, Dan Coombs. The results are works of disquieting intimacy. It's no surprise to learn that she has long been a fan of the emotionally jagged photographs of Diana Arbus, whose studies she describes as having: “everything about the portrait of a human that you can ever want.”
Joffe was born in 1969 in St. Albans, a small town in Vermont, in the US. When she was 13 years old her family moved to England and she went to school in London. But it was not until her foundation course at Camberwell School of Art that she began to find herself by ‘discovering Soutine, and all that paint.' Now she has been invited to show at the Jerwood Gallery in Hastings, the beautiful seafront gallery with a view over the beach full of working boats. Beside the Seaside features a number of new and unseen works made especially for this show and reflects her long-standing links with Hastings where she frequently visits family who live in the town. She often draws on the beach, though photographs commonly provide a starting point. She's not interested in literal truth but rather in what goes on under the surface, the awkward emotions that are held in check and frequently remain unconscious, only to leak through the publicly presented face. Just outside the main gallery is her 2008 painting of Anne Sexton with Joy. An American confessional poet, writing in the 1950s, Sexton was attractive, ambitious, manic depressive and suicidal. Like Arbus she penetrated shallow and socially conventional facades to reveal a brew of anger and suicidal thoughts. Here she is shown with her daughter and we can see just how imbalanced that relationship is. Joy looks away as her glamorous mother clings to her, voracious and needy.