Vivian Gornick at The Nation:
We are living not only in the age of america but also in the Age of the Novel, at a moment when the literature of a country without a first-rate verse epic or a memorable verse tragedy has become the model of half the world.” So begins Love and Death in the American Novel, Leslie Fiedler’s 1960 work of literary criticism—now being republished by New York Review Books—in which he sets out to explain a few home truths about American culture through his Freudian analysis of the American novel. From that perspective, Fiedler begins, “our novels seem not primitive, perhaps, but innocent…almost juvenile.” “Why?” the reader might ask, and the answer is not long in coming: because “our great novelists, though experts on indignity and assault, on loneliness and terror, tend to avoid treating the passionate encounter of a man and woman, which we expect at the center of a novel. Indeed, they rather shy away from permitting in their fictions the presence of any full-fledged, mature women, giving us instead monsters of virtue or bitchery, symbols of the rejection or fear of sexuality.”
Throughout much of the Western world, at least since the 18th century, Fiedler elaborates, love has remained the novel’s central theme, much like “battle in Homer or revenge in the Renaissance drama.” In American fiction, however, for the female protagonist, love means getting married, while for the male protagonist, it means flight.
more here.
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