Kathryn Hughes in The Guardian:
When Caroline Bicks first met Stephen King she was worried. As a teenager she had scared herself silly with his books – Carrie and The Shining were the two that crept under her skin and refused to budge – but now she found herself in the odd position of being Stephen E King professor at the University of Maine. The chair had been named in honour of the English department’s most famous alumnus, and Dr Bicks was a Harvard-trained Shakespeare specialist. What, beyond a name, would they really have in common?
At the time of her appointment, Bicks’s employers had told her not to initiate contact with the famous author in any way. But four years into the job she got a phone call from “Steve” who turned out to be a teddy bear: “I couldn’t believe it. The man responsible for terrifying generations of readers – including me – was so … nice.” Not quite a meet-cute, but promising.
This book is Bicks’s account of what happened when King gave her permission to spend a year in his archive, poring over the drafts of five of his most popular novels, including Pet Sematary, The Shining and Carrie. Bicks’s particular aim is to spot what she calls King’s “biblio‑magic” in action. She wants to identify how he chooses and places words with the intention of producing material effects on the reader’s body. How, exactly, does he make hearts beat faster, stomachs lurch and palms prickle with sweat?
More here.
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