Chelsea Leu in The Guardian:
At first glance, the protagonist of Gish Jen’s latest novel seems like many of the other Chinese American immigrants Jen has portrayed so astutely in her decades-long career. Loo Shu-hsin is born into privilege in 1924 – her father is a banker in the largely British-run International Settlement of Shanghai – but her life is marked by her mother’s constant belittlement. “Bad bad girl! You don’t know how to talk,” she’s told, after speaking out of turn. “With a tongue like yours, no one will ever marry you.” Her only solace in the household is a nursemaid, Nai-ma, who vanishes one day without warning – a psychic wound that lingers even as she grows up, emigrates to the US and enrols in a PhD programme.
In one striking way, however, Loo Shu-hsin is different from Jen’s previous protagonists: she happens to be Jen’s own mother. Bad Bad Girl is in part a fictionalised reconstruction of Jen’s mother’s life, in service of a searching attempt to excavate their troubled relationship. “All my life, after all,” Jen writes, “I have wanted to know how our relationship went wrong – how I became her nemesis, her bête noire, her lightning rod, a scapegoat.”
More here.
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