Portrait of a Lost Palestine

Selma Dabbagh at the Paris Review:

The Lord, Soraya Antonius’s vivid chronicle of Palestinian life before the Nakba of 1948, is a novel that moves fast, driven by fury and passion. Tales are told within tales; there are jump cuts and flashbacks. Antonius’s eye is as keen as her wit. The narrator of the book, which was first published in 1986, is an unnamed woman journalist in the Lebanon of the early eighties. She is covering current events—the 1982 Sabra and Shatila massacres are obliquely referred to at one point—but she also takes an interest in the region’s past, and is particularly curious to find out about a young man named Tareq, who grew up under the British Mandate and played a significant role in the 1936–1939 Palestinian uprising against colonial rule. Her curiosity leads her to the elderly Miss Alice, an Englishwoman who was Tareq’s teacher in a mission school founded by her father at the start of the twentieth century. Tareq, Miss Alice tells the narrator, was a boy of humble background and an undistinguished student, who, however, possessed uncanny powers that Miss Alice can’t really account for. How he put those powers to use will be the novel’s story.

more here.

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