Lara Feigel in The Guardian:
When the judges awarded Yael van der Wouden’s brilliant debut, The Safekeep, the Women’s prize for fiction last month, they weren’t just garlanding a book that happens to have a few sexy scenes in it. They were responding to a work that engages with the current levels of literary excitement around sex and marries this with sweeping historical vistas and a distinctive sensibility. It was joined on the shortlist by Miranda July’s exuberant odyssey of midlife desire, All Fours, and Fundamentally by Nussaibah Younis, a smart, quickfire account of a young academic’s work for a UN deradicalisation programme, which juxtaposes the world of Middle Eastern religious politics with a closeup relish for female sexuality.
While younger generations, at least, have said in recent years that they want to see more platonic friendship and less sex on screen, reading appetites appear to be going in the other direction, with a huge boom in romance and “romantasy” – the romance-fantasy hybrid driven by TikTok and the success of authors such as Rebecca Yarros and Sarah J Maas.
More here.
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