Horrific Surrealism: Writing on Migration

Viet Thanh Nguyen at The Paris Review:

It is safe to say that perceptions of migrants are contradictory. In their countries of origin, they are sometimes celebrated for having embarked on adventures and sometimes criticized as having abandoned their homes. In the countries of their arrival, they can appear as terrifying threats in another people’s history or be welcomed as fresh blood. If they face hostility and suspicion, migrants might feel the need to insert themselves into their new nation’s chronicles of conquest. The migrant’s heroism can then harmonize with their host nation’s self-image, as well as affirming that nation’s hospitality and generosity.

This is what happens in Jhumpa Lahiri’s short story “The Third and Final Continent,” from her lauded collection The Interpreter of Maladies, which focuses on Indian immigrants to the United States. I admire the formal elegance of much of Lahiri’s writing, especially her short stories, a genre in which she excels and in which I am at my most miserable. I spent seventeen horrible years writing short stories on a similar theme as Lahiri’s, signaled by the title of my book: The Refugees.

more here.

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