The Reluctant Genius of Rudy Burckhardt

John Yau at Hyperallergic:

Two decades have passed since the last exhibition devoted solely to the paintings of Rudy Burckhardt. Never one to toot his own horn, Burckhardt was a polymath whom the poet John Ashbery characterized as “unsung for so long that he is practically a subterranean monument.” The paintings are just one part of his diverse oeuvre, which also includes photographs, films, and the autobiography Mobile Homes (1979). Within each of these mediums, he explored multiple avenues. It is this multiplicity that makes him both memorable and elusive and why Rudy Burckhardt: A Painting Exhibition at Tibor de Nagy Gallery is a must-see event. Through his directness, modesty, and scrupulous attention to detail, the artist’s representation of the oddness of the ordinary is unrivaled.

The exhibition is comprised of 16 paintings — mostly Maine landscapes (1972–97) and New York cityscapes (1970–87), as well as a 1947 self-portrait and a 1968 still-life — accompanied by a group of paintings done on large dried, perennial mushrooms, arranged on a table. It’s works like these that have thrown people off when encountering Burckhardt’s art.

more here.

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