Anthony Cummins in The Guardian:
Joseph O’Neill broke out with his third novel, Netherland, which made the Booker longlist in 2008 and was ecstatically reviewed in the New Yorker by James Wood, whose praise made it that summer’s hot book, propelling him into the literary A-list. But come autumn, O’Neill was the fall guy in Zadie Smith’s influential essay Two Paths for the Novel, which contrasted the smoothness of his post-9/11 scenario (“perfectly done … that’s the problem”) with the edgier experiment of Tom McCarthy’s Remainder, branding Netherland an antiquated example of “a breed of lyrical realism [that] has had the freedom of the highway for some time now, with most other exits blocked”.
Although his next novel, The Dog (2014), about a New York attorney in Dubai, widely seen as a Netherland minus, was also Booker longlisted, O’Neill seemed to recede from view almost as suddenly as he’d emerged. So much the better, perhaps: his exceptional new novel, Godwin, coming 10 years after his last, would seem to represent time well spent.
More here.