Johanna Winant in the Boston Review:
This year marks the centenary of modernism’s annus mirabilis. For many, that means T. S. Eliot’s The Waste Land and James Joyce’s Ulysses—both first published in book form in 1922—perhaps along with the first English language translation of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus. These books are in different genres and disciplines—poetry, fiction, philosophy—but all of them wed experimental literary aesthetics with highly abstract intellectual projects. All invoke myths to represent immense aesthetic and intellectual challenges: each tells of an arduous journey, that could, if successful, be redemptive, even transformative. Each text has its hero, but in each case the hero is also—or really—you. You, the reader, are challenged to find your way through these depths and heights and broad, rough seas. The journey is perilous, filled with traps as well as marvels. Should you succeed, your home may look different by the end; you will be changed too.
This account of these three notoriously difficult and undeniably monumental books is true, but it is also a product of a century of hype.