Doreen St. Félix at The New Yorker:
How to walk properly, according to Lorraine O’Grady, the eighty-eight-year-old conceptual and performance artist: “With your chin tucked under your head, your shoulders dropped down, your stomach pulled up.” Good posture has become a concern for O’Grady in the past couple of years, as her latest persona, the Knight, is a character that requires her to wear a forty-pound suit of armor. “As long as I don’t gain or lose more than three or four pounds, I’m O.K.,” O’Grady told me in late August, over Zoom, while we discussed “Greetings and Theses,” the fourteen-minute film that constituted the official performance début of the Knight. The première was held, in late July, at the Brooklyn Museum, the site of the 2021 exhibition “Lorraine O’Grady: Both/And,” a retrospective of her radical and soul-shaking œuvre. The film is meta: the Knight trawls the arteries of “Both/And,” surveying the contents of a life’s work.