Daniel Spaulding at Art In America:
In criticism as in war, the law of proportionate response enjoys only occasional observance. Gerhard Richter: Painting after the Subject of History is the fruit of what its author, art historian Benjamin H.D. Buchloh, calls the “nearly unfathomable duration” of his engagement with the most influential German painter since World War II. “Unfathomable” is an overstatement, but only just. Buchloh has been thinking about Richter for half a century. The result is a book that comes in at just over 650 pages divvied up between no fewer than 20 chapters, most of which began as independent essays published between the 1980s and the present.
Curiously, given that Richter is by all evidence Buchloh’s favorite artist (or at any rate, the one who sustains the biggest share of his attention), their relationship has been marked from the beginning by profound differences of approach.