Regina Spektor, Onto-Theologically

Ricky Moody at Salmagundi:

Pretexts:
https://www.youtube.com/watch?v=Nh17jXzgI1E
https://www.youtube.com/watch?v=rWGLRx5wIsQ
https://www.youtube.com/watch?v=iJFMAfYoWYo&t=144s

1.  First, let it be known that the first single from the new Regina Spektor album1 is not “new” in the sense that an early live performance, available on YouTube, dates to November 2014 or eight years ago (as of this writing). In the recording of this 2014 performance, Spektor ad libs in a prefatory way: “Here’s another new song—well, new to you anyway.”
2.  If “Becoming All Alone,” the “new” single is not from “now” (from the time of BA.2, the time of the Ukrainian invasion and subsequent war, the time of renewed gun violence, the time of the imminent Supreme Court decision overruling Roe v. Wade), then from when? If it is from earlier than 2014, which it could be as Spektor implies it is not new to herself (like others on the new album), then from when? Could it be from the earliest years of her career? Could it be from the beginning of her career? Could the beginning of her career be defined as the moment in which “Becoming All Alone” is written, such that we can define the notion of songwriting as a becoming alone, dating this idea to the earliest time of a songwriting Spektor? Could it be from her childhood? Could it be “primordial?”

more here.