Aja Romano at Vox:
So if the traditional artistic contempt for romance as a genre has buckled under the sheer weight of audience demand, then surely Heyer, of all authors, ought to be first in line for adaptation. Stephen Fry considers this in his introduction to Venetia, only he suggests that the delights of her prose — her infectious dialogue, her constantly surprising turns of phrase, her sparkling humor, and her subtle but satisfying romantic relationships — make her too difficult to adapt. “My own view,” he writes, “is that her apparent unsuitability for dramatisation might be for the very reason that … [her] gifts and glories reveal themselves most perfectly in the act of reading.”
Yet Heyer’s prose would arguably find its way onscreen anyway. Witness Damarel and Venetia, in one of their sexy wordplay volleys: “‘Spiteful little cat!’ he said appreciatively.” That’s a juicy stage direction for an actor.