E. Tammy Kim in The Nation:
Squid Game is not a subtle show, either in its politics or plot. Capitalism is bloody and mean and relentless; it yells. Each episode moves from one game to the next, in a series that, by the end, combined with some awkward English-language dialogue, feels hopelessly strained. But the show redeems itself with its memorable characters (all archetypal strugglers) and its bright, video-game-inspired design. The art director, Choi Kyoung-sun, said that she wanted to build a “storybook” world—a child’s late-capitalist hell—and she has done so brilliantly.
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