Andrew McMillan at Literary Review:
Some of the rawest moments come in early letters to Mike Kitay, Gunn’s lifelong partner, whom he met in 1952 when they were both undergraduates at Cambridge and whom he followed to the USA when Kitay returned there in 1954, after which Gunn felt able to come out. ‘We can lead rich lives together if we allow each other to, my beloved,’ Gunn writes to him in 1961. ‘Oh baby, please settle for me. I’ll never be your ideal, but you’ll never find your ideal on earth.’ It’s a letter written over the course of a week, with headings marking out the different days; it ends, ‘I can’t go on like this much longer. Please, my darling Mike.’ Gunn was largely a writer of tight, syllabic poetry who aimed for a lack of ‘central personality’; the directness and freedom of expression in letters such as these offer us a side of him we rarely, if ever, have seen before. By contrast, a letter written a few months later to the Faber editor Charles Monteith sees Gunn retreating behind a mask of business, discussing what would become a well-known combined edition of his work and that of Ted Hughes, eventually published in 1962 (the footnote reveals, interestingly, that Larkin was also to be included in the project, but his publisher at the time, the Marvell Press, said no).