Norma Clarke at Literary Review:
Higgie’s book is a riposte to Renoir and centuries of unknowing and misjudging. Reading it is like travelling with an ever-excited companion who has lots to say, not all of it profound as it tumbles out in profusion and partisanship, and not always quite trustworthy, but always compelling. She is rightly enraged at the historical neglect of women artists. The marvellous illustrations here confirm her assessment of the quality of their work. Few nowadays would argue with her proposition that the history of art is ‘the history of many women not receiving their dues’. Beginning research for this book, she was ‘staggered’ by the depth and variety of paintings made by women, despite the formidable restrictions placed in their way, and despite believing herself already well informed on the subject. Ending her book, I felt much the same way, and excited at the prospect of finding out more.