Exposition, Suite for Barbara Loden, and The White Dress are literary works of research. Léger is the Director of the Institut Mémoires de l’Édition Contemporaine (Institute for Contemporary Publishing Archives), so it is unsurprising that archives and the figure of the archive should feature in her work. What is perhaps more notable is the way in which Léger sees the archive as a literary space. In a 2014 interview, in the French journal La Cause du Désir, Léger describes the archive as ‘a field of interpretation’ and therefore also ‘one of the favourite places of fiction’. (These are my translations of Léger’s responses. The original interview is here.) Of the astonishing object sometimes found in the archive, ‘if it contains information, it also contains a strong emotional charge…To speak that part of the real, to give it thanks and undo its hold, there is only literature’. As the constant return to the story of the author’s mother illustrates, the ‘strong emotional charge’ of an object can be one of unexpected, or buried, connections.