Pete Tosiello at Full Stop:
Even when ruminating upon dream diaries, werewolves, and vampires, Golberg’s erudition imbues her childlike wonder with a preacher’s certitude. She finds analogies across cultures and languages, weaving centuries-old philosophies into her personal examination of late-night gloom and early-morning revelation. There’s a selective nature to her surveys, some of which take the form of art and literary criticism. But the essays build upon successive themes, Golberg’s metaphors compounding and accreting into a more solid, ambitious exploration of identity. Who are we, these essays ask, and when are we most ourselves? “I suppose this was Jung’s point all along, that the dreamworld is not separate from the everyday world,” she considers, “that we enact our dreams in daily life as we enact our daily life in dreams, and that to divide these parts of ourselves — the sleeping self and the wide-awake self — makes us incomplete.” These analyses make approachable essays even for readers not steeped in the work of Japanese novelists and nineteenth-century painters.