Grace Ebert at The Chicago Review of Books:
What makes My Morningless Mornings so notable, though, is not just the story of a ruminative young person who rejects the thrills associated with teenage life or even the early onset of her adulthood. Golberg’s work also functions as an abstract, winding, and rebellious consideration of the mundane qualities of the day’s earliest hours. Whereas the morning often is referred to as a beginning or a renewal of possibilities, Golberg instead asks her readers to consider it night’s ending and the conclusion of dream-induced wanderings and endless darkness.
At times, the writer does describe waking to the sun’s first rays as a possibility, although even in these instances, she turns that same potential into doubt about her choices. Golberg tends to retreat into the understanding that while mornings may be inevitable, they’re not necessarily welcome.