Jessica Loudis at The Nation:
The temptation to read Piglia’s books as straightforward journals—despite the author’s insistence on treating them as fiction—can occasionally be maddening, as if their readers have been unwittingly enlisted in a postmodern game. And indeed we have, though much more is at stake. As Piglia witnessed the dissolution of Argentine society under a series of repressive governments, he sought new models of writing and representing reality. In metafiction, he found a means to subvert the conformity and censorship that flourished under these regimes. While he rejected the idea that fictional “coding” was possible only when living and writing under a restrictive government, he believed, as he told an interviewer, that “political contexts define ways of reading.” Through indirection and other literary techniques, Piglia revealed the frightening mechanisms of state power that had subjugated Argentina and the ways in which they might be resisted.